To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Change Text Layers by Renaming a Composition in Ae
October 17, 2017, 12:40 PM
http://lesterbanks.com/2017/10/change-text-layers-...
Ukramedia’s Sergei Prokhnevskiy Shows a Tick That Will Have You Replacing Text Layer Names With Composition Names in After Effects Have a lot of labels, lower thirds, or any other type versioning to do in The Post Change Text Layers by Renaming a Composition in Ae originally appeared and published on %%BLOGLINK%,by lesterbanks
Colorist Michael Smollin Joins Fancy Film
October 17, 2017, 12:40 PM
http://www.broadcastbeat.com/colorist-michael-smol...
New Senior Colorist will lead the facility’s effort to extend it footprint in finishing for independent film and television series. LOS ANGELES—Veteran colorist Michael Smollin has joined Fancy Film, the independent post-production facility based in Los Angeles’ Silver Lake neighborhood. Smollin, whose credits span features, episodics, reality series and documentaries, will serve as the facility’s ...
Frame of Mind: To Blend Real and CG FX, The Osiris
October 17, 2017, 12:39 PM
https://www.moviemaker.com/archives/series/frame-o...
Does it lie in the carefully executed plans of a film’s cast and crew? Or does the magic rest upon fortuitous mistakes, spontaneity and improvisation? What steps must be taken to convey your vision and intent? Watch our video series, Frame of Mind, to get answers to these questions and more from commentators working in a wide variety of areas in production who’ll guide you through clips from their films, in their own words. Moviemakers and film fans: Grab your notepads, popcorn, or both, and...
The VFX Magic Behind Spiderman Homecoming
October 17, 2017, 12:39 PM
https://www.wheretowatch.com/2017/10/vfx-magic-beh...
Spider-Man: Homecoming star Tom Holland trained tirelessly to do as many of his own stunts as possible, but some of them were just too epic to do live. In stepped the team at Imageworks VFX, who just released an incredible video giving us a glimpse at the film’s incredible CGI.
Actividades de la SAE en la CAPER 2017
October 17, 2017, 10:23 AM
http://saeditores.org/Novedades/Actividades-de-la-...
Con dos charlas, la SAE participará nuevamente de la Expo CAPER que organiza la Cámara Argentina de Proveedores y Fabricantes de Equipos de Radiodifusión, que se desarrollará entre el 25 y 27 de octubre en el Centro Costa Salguero (Av. Costanera Rafael Obligado 1221, CABA).
Compositing With Cryptomatte in Nuke and Fusion
October 17, 2017, 10:23 AM
http://lesterbanks.com/2017/10/compositing-cryptom...
The Chaos Group Looks at the Power Gained in Compositing by Using the Output From V-Ray Maya Cryptomatte Render Element The Chaos Group posts a look at using Cryptomatte in a compositing workflow, making it The Post Compositing With Cryptomatte in Nuke and Fusion originally appeared and published on %%BLOGLINK%,by lesterbanks
Battle Axe Preps Ultimate Bridge Between Illustrat
October 17, 2017, 10:23 AM
http://lesterbanks.com/2017/10/battle-axe-preps-ai...
Battle Axe is Set to Release an After Effects Tool That Gives You Ultimate Control Over Bringing Selected Layers from Illustrator Battle Axe Co.’s Adam Plouff teases a new After Effects gizmo that he is The Post Battle Axe Preps Ultimate Bridge Between Illustrator & After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
The Invisible Art of Editing?
October 17, 2017, 10:22 AM
https://cuttingroomtales.wordpress.com/2017/10/17/...
Invisible vs. high-profile editing I started in the cutting room at an exciting time for editing. The high-octane style popularised by music videos shown on MTV and made possible by editing on computer rather than on celluloid, was starting to filter through to feature films. In some cases it led to the sort of … Continue reading →
IT: Kendrick Wallace - Production VFX Producer
October 17, 2017, 09:20 AM
http://www.artofvfx.com/it-kendrick-wallace-produc...
In more than 20 years, Kendrick Wallace has produced the effects of many projects such as MAX PAYNE, THE A-TEAM, ABRAHAM LINCOLN: VAMPIRE HUNTER or INTO THE WOODS. He talks to us today about his work on IT.
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