To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The First 6K Native Workflow in Premiere Pro

October 15, 2017, 05:35 AM

http://vashivisuals.com/how-i-created-the-first-6k...

As a filmmaker, I always want to challenge myself both creatively and technically. I pursue projects that can stimulate me on several levels. If I am going to commit a year of my life to a feature film…it is crucial that I walk away with new skills, a successful storytelling experience and a lot of fun in the trenches with my team.

Review: MotionVFX’s mFlare 2 Plugin

October 15, 2017, 05:34 AM

http://thefcpxeditor.tumblr.com/post/166409782193/...

MotionVFX recently released their long awaited updated to their excellent flare generator suite mFlare, aptly called mFlare 2.

How to Create a Bouncy Write-On Effect in Ae

October 14, 2017, 03:08 PM

http://lesterbanks.com/2017/10/create-bouncy-write...

Austin Saylor Shows How to Add Some Flare to a Write-On Effect in After Effects, Using Puppet Pins for Animated Bounce There are probably hundreds of tutorials for After Effects that show ways to create The Post How to Create a Bouncy Write-On Effect in Ae originally appeared and published on %%BLOGLINK%,by lesterbanks

A Sneak Look at Path Point Access & External Data

October 14, 2017, 03:08 PM

http://lesterbanks.com/2017/10/path-point-access-e...

Mikey Borup Has a Loom at Two New Features Coming in the Next After Effects — Path Point Access, and External Data Check out some of the new features coming out soon in the next update The Post A Sneak Look at Path Point Access & External Data in Ae originally appeared and published on %%BLOGLINK%,by lesterbanks

How to Get Clean Smooth Surfaces in 3D-Coat

October 14, 2017, 03:08 PM

http://lesterbanks.com/2017/10/get-clean-smooth-su...

Anton Tenitsky Shares Techniques for Getting Super Clean and Smooth Surfaces For Hard-Surface Models in 3D-Coat Anton Tenitsky often offers some insights into creating hard-surface models using 3D-Coat. 3D-Coat has some nice voxel tools that The Post How to Get Clean Smooth Surfaces in 3D-Coat originally appeared and published on %%BLOGLINK%,by lesterbanks

Mark Wilkins on ‘The Exorcist’ Series

October 14, 2017, 05:43 AM

http://cinemontage.org/2017/10/mark-wilkins-exorci...

Colorist Mark Wilkins has a message for audiences: Think twice before believing everything you see on TV. A veteran colorist whose credits include Ugly Betty (2010-2016) CSI: Miami (2002-2012) and numerous television commercials, he cautions that colorists can brighten cloudy days and dial down the color of a red dress. Using digital technology, colorists both fine-tune and sometimes transform the palette of a project.

Frame.io picks up $20 million to be the Slack of v

October 14, 2017, 05:43 AM

https://techcrunch.com/2017/10/03/frame-io-picks-u...

Frame.io, the collaboration platform for the video industry, has today announced the close of a $20 million Series B funding round led by FirstMark Capital, with participation from existing investors including Accel Partners, SignalFire and Shasta Ventures.

La SAE participó del MICA 2017

October 13, 2017, 03:53 PM

http://saeditores.org/Novedades/La-SAE-participo-d...

La SAE estuvo presente en una nueva edición del MICA (Mercado de Industrias Creativas Argentinas), que se desarrolló entre el 6 y el 8 de octubre en el Centro Cultural de la Ciencia. Al igual que en 2015, la asociación participó con una mesa de trabajo en la que se realizaron importantes encuentros...

Power Dynamics Below the Line

October 13, 2017, 03:52 PM

https://blogs.creativecow.net/blog/14729/power-dyn...

If you’re anywhere near Hollywood this week, you’ve got a hot take on Harvey Weinstein. I’ve only been here a few years, exclusively “below the line”, and I heard all the rumors too. I dreaded ever having even secondhand contact with the man and his company: a powerful star maker with the ability to squash any career he chose, a blatant chauvinist, and an indecent human being whose participation in the entertainment industry seemed immoveable.

The Hidden Mic Trick

October 13, 2017, 03:52 PM

https://www.videomaker.com/videonews/2017/10/this-...

Positioning microphones so that they aren’t in your shots while making sure they can capture quality audio can become highly frustrating. And it’s even more frustrating when you don't notice that a microphone got into a shot until post-production. At this point, you must be thinking that the footage is ruined, but Griffin Hammond has a trick that he uses to hide microphones in shots without having to reshoot anything.

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