To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Has CGI Really Changed For Animated Storytellers?

September 26, 2017, 09:38 AM

http://nofilmschool.com/2017/09/watch-how-cgi-has-...

It seems as if more than just technology has advanced with the adoption of CGI, but let's begin at the beginning.

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DOCTOR WHO - Season 10: VFX Breakdown

September 26, 2017, 09:38 AM

http://www.artofvfx.com/doctor-who-season-10-vfx-b...

Milk VFX presents their work on the 10th season of DOCTOR WHO in this VFX Breakdown...

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Cineo Returns for Last Man On Earth Season 4

September 26, 2017, 06:41 AM

https://www.aotg.com/cineo-returns-for-last-man-on-earth-season-4/

When 20th Century Fox Television's breakout success, Last Man on Earth, debuted in 2015, there was a unique need to create sets that authentically depict a post-apocalyptic world in which electricity was nonexistent and the sun was the only source of perceived illumination. Production Designer Bruce Robert and Chief Lighting Technician Oliver Alling found the ideal solution of a balanced, natural-looking spectrum and excellent green screen compatibility with Cineo Lighting fixtures.

0 0 0 Press Release
#cineo lighting#cineo
'Kingsman' Uses DaVinci Resolve Studio

September 26, 2017, 05:56 AM

https://www.aotg.com/kingsman-uses-davinci-resolve-studio/

DaVinci Resolve Studio has been used throughout production and post production on 20th Century Fox’s “Kingsman: The Golden Circle,” including SDR and HDR delivery. Joshua Callis-Smith was responsible for the onset dailies while the online edit and final DI were completed by Goldcrest Post.

0 0 0 Press Release
#editing#color grading#dailies#dit#conform
Archiware and G-Technology® Advance Data Storage

September 26, 2017, 05:11 AM

https://www.aotg.com/archiware-and-g-technology-advance-data-storage/

Cutting-edge storage solution specialist, G-Technology and Archiware, expert in data management software, have teamed up to facilitate disaster recovery, data migration, and archival options for Network Attached Storage (NAS). The solution encompasses G-Technology’s G-RACK™ 12 high-performance NAS solution and Archiware’s P5 Software Suite and targets Media and Entertainment workflows.

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#archive#backup#nas#g-technology#archiware#cloning#data management#p5 software suite#disaster recovery#network attached storage#g-rack 12
Gamasutra: Zack Quarles On Greater Accesssiblity T

September 26, 2017, 04:51 AM

http://designingsound.org/2017/09/gamasutra-zack-q...

Zack Quarles, Audio Director & Supervising Sound Designer at Microsoft, has written a comprehensive article on the methods & techniques used in the fighting game Killer Instinct, to achieve better accessibility for players without sight through audio. You can read the full story here.

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Comunicado de EDA ante una nueva crisis en el cine

September 26, 2017, 04:51 AM

https://edaeditores.org/comunicado-de-eda-ante-una...

Comunicado de EDA ante una nueva crisis en el horizonte de la producción de cine nacional A través de este comunicado expresamos una fuerte preocupación y estado de alerta ante el anuncio de la resolución N 942/2017, que de forma inconsulta y sin consensos sectoriales elimina la posibilidad de producir cine para producciones pequeñas y […]

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Interview W/ Senior CG Animator Nicolas Prothais

September 26, 2017, 04:50 AM

http://www.allanmckay.com/98/

This is Allan McKay. Welcome to Episode 98! I’m speaking with Nicolas Prothais an Animator from Disney. This is a fun Episode. Nicolas was at the IAMAG Master Classes. He is an awesome and talented artist. He’s worked anywhere from Disney to Double Negative; and huge projects like John Carter and Iron Man 2. He’s definitely well versed and well traveled.

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Framestore colorist Edwin Metternich moves from Lo

September 25, 2017, 04:57 PM

http://postperspective.com/framestore-colorist-edw...

Colorist Edwin Metternich has relocated to Framestore’s new Chicago office, which opened in May, from the company’s London studio. Metternich joined Framestore as a runner in 2007, moving quickly into the color team as an assistant and progressing into grading after only a couple of years. Metternich has worked on a many of projects including Framestore’s first video game VFX job Guitar Hero Live and The Eye for Audi. Continue reading → September 25, 2017 The post Framestore color...

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Pointing out jump cuts to Editors like

September 25, 2017, 04:57 PM

http://renderplease.com/post/165728097575

0 0 0 Humour
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