To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Sunday Sound Thought #88 – The Bigger Picture

September 24, 2017, 05:53 PM

http://designingsound.org/2017/09/sunday-sound-tho...

As has come before; many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span…Please bare with us as we traverse the abstract canals of audio musings. […]

Comunicado de la Multisectorial Audiovisual ante r

September 24, 2017, 05:53 PM

https://edaeditores.org/comunicado-de-la-multisect...

Todos los caminos del INCAA conducen a la devaluación del Cine ArgentinoSin tener intención alguna de mejorar la grave situación de producción, distribución y comercialización a la que ha llegado el cine argentino, por el contrario, la actual administración del INCAA parece querer profundizar la devaluación del prestigio que supo tener desde su creación el […]

How to Create an Isolated Echo Motion Trail Effect

September 24, 2017, 05:53 PM

http://nofilmschool.com/2017/09/how-create-isolate...

If you've spent any time in Adobe After Effects, chances are you've played around with the Echo effect, which basically just stacks frames from different times in the layer to create "streaking" or "ghosting." This produces some pretty cool looking images, but if you want it to affect something specific, you'll need to know how to isolate and apply it to a single part of your frame or a specific object.

BoomBoxPost – Unfiltered Audio SpecOps Review

September 24, 2017, 05:13 AM

http://designingsound.org/2017/09/boomboxpost-unfi...

BoomBoxPost recently published a comprehensive review of Unfiltered Audio’s new Spectral Processor Plugin SpecOps. You can read the full article here.    

ENTER THE EDIT: COLLABORATION IN THE EDIT ROOM - M

September 24, 2017, 05:13 AM

http://www.karenschmeer.com/blog/2017/9/23/enter-t...

This is the third (!!!) edition of the POV Blog's Enter the Edit series exploring the regrettably underappreciated process and craft of documentary editors. Which Way Is The Front Line From Here: The Life and Time of Tim Hetherington. Photo credit: HBO Maya Mumma most recently ed...

IBC 2017: Blackmagic's Bob Caniglia

September 23, 2017, 03:34 PM

https://www.youtube.com/watch?v=Fjs8wOld73g

A year ago, Blackmagic bought Ultimatte. This year, they introduced Ultimatte 12, an affordable Ultra HD chromakeyer. It costs $9,995. The company was also showing Fusion 9, which will be getting a new update soon.

A Light Footprint

September 23, 2017, 03:34 PM

https://digitalfilms.wordpress.com/2017/09/23/a-li...

When I started video editing, the norm was an edit suite with three large quadraplex (2”) videotape recorders, video switcher, audio mixer, B&W graphics camera(s) for titles, and a computer-assisted, timecode-based edit controller. This was generally considered  an “online edit suite”, but in many markets, this was both “offline” (creative cutting) and “online” (finishing). Not […]

IBC 2017: Avid's Matt Feury

September 23, 2017, 08:37 AM

https://www.aotg.com/ibc-2017-avids-matt-feury/

Avid was at IBC with Media Composer|First, a free version of the NLE. The non-free version of Media Composer now has new hardware - the new Avid Artist DMxIV. Also at the show was Nexis Pro for small production teams.

IBC 2017: AJA's Bryce Button

September 23, 2017, 08:37 AM

https://www.aotg.com/ibc-2017-ajas-bryce-button/

Along with many product updates AJA introduced its first Thunderbolt 3 product, the Io 4K Plus, at the show. AJA also partnered with Avid on the Avid Artist DNxIV.

IBC 2017: SGO's Geoff Mills

September 23, 2017, 08:37 AM

https://www.aotg.com/ibc-2017-sgos-geoff-mills/

SGO was touting its multidimensional workflows, which essentially takes their core technology and feature set in Mistika Ultima and creating separate applications. Mistika VR was also being shown, featuring a new stereo toolset.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.