It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 3, 2018, 01:10 PM
https://www.sgo.es/mistika-vr-introduces-new-keyfr...
SGO has announced another new version of the industry adopted stitching software Mistika VR, introducing keyframe animation together with many
May 3, 2018, 05:06 AM
https://www.provideocoalition.com/ae-project-diary...
When I started on the Xian project in 2011, it was the largest and most complex compositing project I had worked on. Even though about seven years have passed since then, I still think of it as some of the best work I’ve done – which isn’t usually the case with projects completed a long time ago.
May 3, 2018, 05:06 AM
http://www.artofvfx.com/lost-in-space-vfx-breakdow...
Have a look at the spaceship and environments work by Mackevision for LOST IN SPACE...
May 1, 2018, 04:24 PM
http://postperspective.com/artery-explains-benefit...
The-Artery founder and director Vico Sharabani recently brought together an elite group of creative artists and skilled technologists to create a cross-continental VR production pipeline for Mercedes-Benz’s Masters tournament brand campaign called “What Makes Us.” Emmy-nominated cinematographer Paul Cameron (Westworld) and VFX supervisor Rob Moggach co-directed the project, Continue reading → May 1, 2018 The post The-Artery explains benefits of a VR workflow for Mercedes spots app...
May 1, 2018, 01:13 PM
https://www.aotg.com/osprey-videos-talon-integrated-into-zixi-platform/
Osprey Video today announced a technology partnership with Zixi, maker of the popular Zixi Platform video workflow orchestrator used by content creators around the world for contribution, management and distribution of live and live-linear, broadcast-quality video over IP.
#zixiApril 30, 2018, 04:30 PM
https://www.awn.com/news/fmx-wraps-its-sold-out-an...
STUTTGART, GERMANY -- The 23rd edition of FMX has wrapped and was a sold-out success with 264 speakers attracting 4,000 visitors to the conference’s locations throughout Stuttgart.
April 29, 2018, 08:34 AM
http://www.cgchannel.com/2018/04/get-handy-free-vf...
FX TD Richard Frangeburg has released Prism, an open-source tool described as a complete readymade pipeline for VFX and animation projects.
April 28, 2018, 05:08 PM
http://www.artofvfx.com/lost-in-space-vfx-breakdow...
New VFX Breakdown for LOST IN SPACE, this time it’s about the work of FuseFX...
April 27, 2018, 11:36 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Freefolk, the Soho-based VFX studio, delivered a substantial amount of work for the TNT/Netflix show, The Alienist. The dramatic series is based on a novel by Caleb Carr and stars Daniel Brühl, Dakota Fanning and Luke Evans. The show follows the story of a serial killer in New York City during the late 19th century, and as such, much of the studios visual effects work involved recreating 1896 New York.
April 25, 2018, 12:10 PM
https://www.aotg.com/vfx-legion-vfx-breakdown-reel-power-rangers-trai/
VFX Legion created a computer-generated universe for the 'Power Rangers: Shattered Grid' trailer. The Burbank-based studio built a virtual sci-fi environment that blends with original live-action footage and scenes from the Power Rangers TV series to bring the comic book’s panel art into a live-action world. This new chapter of the iconic Power Rangers' story takes a dramatic turn, and marks the 25th anniversary of the franchise with the biggest event in its history.
#film#trailer#vfx legion#vfx breakdown reel#power rangers shattered grid
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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