To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Harder, Better, Faster, Stronger: How to Create an

September 15, 2017, 04:06 AM

http://nofilmschool.com/2017/09/harder-better-fast...

If you don't have a streamlined post workflow, you can kiss efficiency and your sanity goodbye. Seriously, one of the best ways to make your life easier in post-production is by maintaining a well-organized workflow, one that not only allows you to work faster but one that also allows you to work smarter so you're not losing great shots and perfect takes in the chaos of post. In this video, Matti Haapoja of TravelFeels shares some insight on how to create and maintain an effective editing workfl...

Set Scouter Brings Its Services to NYC

September 14, 2017, 01:36 PM

https://www.aotg.com/set-scouter-brings-its-services-to-nyc/

New York City’s online marketplace for film, TV and commercial production locations multiplies with arrival of Set Scouter, giving producers direct line to massive inventory of residential spaces.

#production#filmmaking#nyc#tv#location scouting#commercial production
Dublin-Based Egg Powers Expansive Post Workflow

September 14, 2017, 01:21 PM

https://www.aotg.com/dublin-based-egg-powers-expansive-post-workflow/

International post and VFX facility builds 4K, 8K and beyond infrastructure on EditShare high-performance MAM, scale-out storage and archiving solutions; facilitates feature film, episodic and documentary creative projects. Uses EditShare XStream EFS Shared Storage, Flow Media Asset Management, and Ark Archiving.

#vfx#archive#post production#ingest#shared storage#mam#post facilities#media workflows
How to Retarget Animation With Maya’s HIK

September 14, 2017, 12:53 PM

http://lesterbanks.com/2017/09/retarget-animation-...

Autodesk’s Daryl Obert Offers Some Insights Into Working With HIK, Mocap Data and Using Maya’s Powerful Retarget System Daryl Roberta has a look into how to get motion capture data onto a character using Maya’s The Post How to Retarget Animation With Maya’s HIK originally appeared and published on %%BLOGLINK%,by lesterbanks

Presentación de autoEdit 2 en Buenos Aires

September 14, 2017, 12:53 PM

https://edaeditores.org/presentacion-de-autoedit-2...

El desarrollador y realizador documental italiano Pietro Passarelli (VoxMedia) de visita en Buenos Aires realizará una presentación de su aplicación AutoEdit 2. Herramienta que permite la desgrabación automática audio-a-texto y la posibilidad de exportar un EDL con la selección de fragmentos de texto. Ver más: http://pietropassarelli.com/autoEdit.html Martes 19 de Septiembre de 18:30 a 20:30 en […]

Editing Feature Films in Premiere Pro

September 14, 2017, 12:43 PM

https://jonnyelwyn.co.uk/film-and-video-editing/ed...

In this extensive post you can learn about: September 2017 Premiere Updates
 Cutting a RED RAW 6K Feature Film
 Editing A Ghost Story in Premiere Pro
 Change Lists, Workflow Tips and more

#editing#premiere pro#tips#feature film workflows#a ghost story#6k red raw
Avid, AICE, and the ACA: Collaborating on the Futu

September 14, 2017, 09:46 AM

http://www.avidblogs.com/avid-aice-and-the-aca-col...

The article Avid, AICE, and the ACA: Collaborating on the Future by Jess Bedford appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Mixing C4D Daylight and Atmospheric Effects in the

September 14, 2017, 09:46 AM

http://lesterbanks.com/2017/09/c4d-daylight-atmosp...

MotionSquared Demos a Little Trick That Can Give You the Best of Both Daylight and Atmospheric Effects in One Render With C4D A large part of look development is testing and experimenting with variances of The Post Mixing C4D Daylight and Atmospheric Effects in the Same Render originally appeared and published on %%BLOGLINK%,by lesterbanks

Adobe SpeedGrade CC Is Dead; Long Live Lumetri Col

September 14, 2017, 09:46 AM

https://www.videoguys.com/blog/adobe-speedgrade-cc...

Adobe has said goodbye to Adobe SpeedGrade CC and will now have their full attention on their Lumetri Color Panel. Bryant Frazer reports on the latest from Adobe below. Adobe SpeedGrade CC reached end-of-life this week, as Adobe ceased all development on the powerful standalone color-grading application. The move doesn’t actually come as a surprise. Read More The post Adobe SpeedGrade CC Is Dead; Long Live Lumetri Color – Studio Daily appeared first on Videoguys Blog.

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