It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 13, 2017, 11:42 AM
http://www.studiodaily.com/2017/09/adobe-sets-expa...
In advance of IBC, Adobe announced new features coming to its Creative Cloud video applications, including the release of Team Projects, new VR support in Premiere Pro and, at last, Character Animator v1.0. 360-degree video creation in Premiere Pro should be easier now that Adobe has introduced a way for users to keep working using […] The post Adobe Sets Expanded Immersive Video Features for Premiere Pro appeared first on Studio Daily.
September 13, 2017, 11:41 AM
http://alex4d.com/notes/item/adobe-premiere-used-a...
It was tough ask for Adobe Premiere to tackle the needs of David Fincher's 'Gone Girl' feature film in 2014. In recent months, it has been used on a bigger project: ‘Mindhunter’ - a 10 hour David Fincher exec-produced high-end TV series soon to be available on Netflix. Instead of a single team working on a two hour film, TV series have multiple director-cinematographer-editor teams working in parallel. In this case the pilot was directed by David Fincher. The way TV works in the...
September 13, 2017, 11:41 AM
http://blogs.adobe.com/creative/feature-reveal-mot...
At IBC 2017 in Amsterdam, Adobe revealed a set of exciting new features for our video audience. For Adobe Stock, that includes a brand-new content type: Motion Graphics templates. These pre-built templates provide a seamless way for editors to get access to beautiful motion graphics directly within Premiere Pro, without having to spend time designing titles, overlays, or animations on their own. More than ever, the world communicates through video. However, these videos often need informa...
September 13, 2017, 11:41 AM
http://lesterbanks.com/2017/09/easy-silhouette-des...
Hard Surface Modeler Anton Tenitsky Offers Tips and Tricks for Working With 3D-Coat and Flat Shading Mode for Easy Silhouette Design 3D Artist and hard surface modeler, Anton Tenitsky is mentor at the CG Spectrum The Post Easy Silhouette Design With 3D-Coat originally appeared and published on %%BLOGLINK%,by lesterbanks
September 13, 2017, 11:40 AM
http://blogs.adobe.com/creativecloud/whats-next-ne...
The upcoming release of Adobe Audition CC is about CREATING TIME. Giving creators more time to work creatively, saving time from repetitive tasks, and working with time in new ways. Let me give you a brief look at what you’ll see later this year. Auto-Ducking One of the more time-consuming tasks editors face when mixing sound is ensuring the different elements of a timeline blend together well and don’t interfere with each other. Usually this means making sure the volume of backgroun...
September 13, 2017, 11:40 AM
http://blogs.adobe.com/creativecloud/character-ani...
I’m excited to announce that Character Animator CC is graduating from beta to being a full-fledged CC app. Character Animator has grown up fast, and the upcoming release is full of incredible new features that make bringing your characters to life faster, easier and more fun. Feature highlights New Triggers panel Show, hide, swap, or cycle through puppet layers with your keyboard or MIDI device. The new Triggers panel gives you a central place to manage all your puppet’s triggers. T...
September 13, 2017, 11:40 AM
http://blogs.adobe.com/creativecloud/after-effects...
The next version of After Effects CC is full of features to supercharge your workflow and help you create sophisticated animation and motion graphics more quickly and easily. Feature highlights Data-driven animation Easily create motion graphics powered by data sources. Import JSON data files as footage, and use them to drive infographics, build multiple versions of the same design, or visualize motion capture and sensor data. Third-party partners who generate time-based data can write ...
September 13, 2017, 11:40 AM
http://blogs.adobe.com/creativecloud/whats-coming-...
It’s that time of year again! We’re thrilled to be revealing what’s coming next to our professional video and audio desktop applications, with new features for Adobe Premiere Pro CC, Adobe Audition CC, Adobe After Effects CC, and Adobe Character Animator CC. All of these new releases will be available to Creative Cloud members later this year. If you’ll be at the upcoming IBC Show in Amsterdam, join us at the Adobe booth (7.G27 in the RAI Amsterdam Convention Center) to see these ne...
September 13, 2017, 11:40 AM
http://postperspective.com/sony-imageworks-vfx-wor...
By Daniel Restuccio With Sony’s Spider-Man: Homecoming getting ready to release digitally on September 26 and on 4K Ultra HD/Blu-ray, Blu-ray 3D, Blu-ray and DVD on October 17, we thought this was a great opportunity to talk about some of the film’s VFX. Sony Imageworks has worked on every single Spider-Man movie in some capacity since the 2002 Sam Raimi version. Continue reading → September 13, 2017 The post Sony Imageworks’ VFX work on Spider-Man: Homecoming appeared first on R...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.