It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 7, 2017, 09:12 AM
http://www.4kshooters.net/2017/09/07/5-audio-editi...
As a video shooter, you are likely to find yourself working as a video editor too. Even if you don’t edit on a regular basis, the situation comes up and clients might be looking to you for their editing needs. One thing that a lot of video creators, and sometimes editors, aren’t always taught is how to edit audio for their videos. In high budget situations, a dedicated audio engineer may be brought in to edit the audio, but in many cases it falls to the video editor, which could be you.
September 7, 2017, 09:12 AM
https://www.provideocoalition.com/creating-tilt-sh...
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to create a tilt-shift effect on a drone shot in Final Cut Pro X.
September 7, 2017, 05:53 AM
https://www.sgo.es/sgo-to-demonstrate-new-multi-di...
Collaborative solutions include Mistika Ultima with Mistika Co-Pilot, Mistika VR with new Stereo 3D toolset, Mistika Insight and Mistika FX
September 7, 2017, 05:53 AM
https://www.aotg.com/editor-sam-pollard-on-giving-scenes-a-second-chanc/
Sam Pollard is an accomplished feature film and television editor, and documentary producer/director whose work spans almost thirty years. His first assignment as a documentary producer came in 1989 for Henry Hampton's Blackside production "Eyes On The Prize II: America at the Racial Crossroads."
September 7, 2017, 05:52 AM
https://www.aotg.com/davinci-resolve-14-is-now-shipping/
Massive update to Hollywood’s fastest growing professional editor features up to 10x better performance, Fairlight digital audio, multi user collaboration tools and hundreds of new features!
#editing#audio#color grading#post production