To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe Advertising Cloud und Spotify sorgen für ei

September 1, 2017, 05:19 AM

http://blogs.adobe.com/digitaleurope/online-advert...

Hört ihr das? Das ist der Sound von geschätzten 146 Millionen Kunden auf der ganzen Welt, die in diesem Jahr Musik gestreamt haben. In der On-Demand-Welt konsumiert jeder, was er will und wann er es will. Digitale Audiodateien sind da keine Ausnahme. Damit Unternehmen die großen Potenziale der Audioformate bestmöglich für ihr Marketing nutzen können, hat Adobe Digital Audio als neuestes Format in die kanalübergreifende Demand-Side-Plattform (DSP) der Adobe Advertising Cloud aufgenomm...

Autodesk ships Maya LT 2018

September 1, 2017, 05:18 AM

http://www.cgchannel.com/2017/09/autodesk-ships-ma...

The update adds new sculpting features including support for topological symmetry and vector displacement map stamping, and iterates on recent updates to the UV Editor, Graph Editor and Time Editor.

Framestore completes VFX for Destiny 2 trailer

August 31, 2017, 04:43 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Framestore recently partnered with 72andSunny and RSA Films to create New Legends Will Rise, the latest trailer for the hotly anticipated Destiny 2 video game by Bungie and Activision. The studio worked alongside ad agency 72andSunny, director Jordan Vogt-Roberts and RSA Films to create the visually intricate trailer, which mixes live-action with cinematic CG and visual effects based on the characters and worlds created by Bungie.

Digital Production Buzz – August 31, 2017

August 31, 2017, 04:43 PM

http://www.digitalproductionbuzz.com/2017/08/digit...

Tonight, we meet some of the key standards organizations in the media industry. These are the folks that create the specs that allow all our gear and software to work together. They also determine the direction of our industry by setting the ground rules for future technology. … The post Digital Production Buzz – August 31, 2017 appeared first on Digital Production BuZZ.

Zoic Studios: Best of Game of Thrones VFX S7

August 31, 2017, 04:43 PM

http://www.studiodaily.com/2017/08/zoic-studios-be...

From Winterfell to Dragonstone with lots of stops in between, the team at Zoic Studios took the scenic route across Westeros this season, as revealed in this latest VFX breakdown from the series. The post Zoic Studios: Best of Game of Thrones VFX S7 appeared first on Studio Daily.

Red Giant Trapcode Suite Review

August 31, 2017, 04:43 PM

http://www.videoguys.com/blog/red-giant-trapcode-s...

By Kevin P. McAuliffe Video effects are incredibly important with any project today.  There are so many visual effects in shows and movies today that may go unnoticed because of their realism.  The cost or difficulty of producing an effect live may cause the effect to be produced in post-production and that’s where a solid software Read More The post Red Giant Trapcode Suite Review appeared first on Videoguys Blog.

Lumberjack, IBC and FCPX World

August 31, 2017, 12:20 PM

http://www.philiphodgetts.com/2017/08/lumberjack-i...

Lumberjack System will be previewing something extremely exciting at the FCP X World Event at IBC.

VFX Breakdown – EVE Valkyrie Warzone Trailer

August 31, 2017, 11:19 AM

http://theangryvideoguy.com/index.php/2017/08/30/v...

Fire Without Smoke created the logo, key art, and uprezzed the in game ship models to create higher polycount assets to be used in the trailer. Check out a breakdown of the composites for this space based arcade/sim shooter.

#vfx breakdown#videogames#vfx breakdowns#fire without smoke
Zaxx Installs Blackmagic for New 4K Post House

August 31, 2017, 10:11 AM

https://www.aotg.com/zaxx-installs-blackmagic-for-new-4k-post-house/

Blackmagic Design announced today that Nagoya and Tokyo based post production house Zaxx installed a number of Blackmagic products, including DaVinci Resolve Studio, Teranex AV, Universal Videohub and Smart Videohubs for their new 4K and HDR studio, GZ TOKYO ROPPONGI.

#blackmagic design#davinci resolve studio#davinci resolve advanced panel#post house

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