To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Motion Magic: Publishing Lower Thirds
April 6, 2015, 09:27 AM
https://www.aotg.com/motion-magic-publishing-lower-thirds/
In "Under 5 Minutes" Mark Spencer from www.RippleTraining.com will teach you how to build a custom lower third in Motion using a blur in sequence behavior and a fade in behavior on a replicator. After the animation is created, you can publish the Title animation for Final Cut Pro X. Subscribe to our channel to receive our free tips and tricks every Monday!
#60: Wes Anderson
April 6, 2015, 07:12 AM
http://notjustamovie.com/2015/04/01/ep60/
Since 3 previous episodes weren’t enough, Timmie and Ryan join together to discuss a favorite director and auteur, Wes Anderson. Join us for a celebration of artistry, humor, and whimsy, as we look at Anderson and his films from all sides. Maybe we should have storyboarded it too!
A Quick Background In Video Compression
April 6, 2015, 04:56 AM
https://www.aotg.com/a-quick-background-in-video-compression/
Video compression does not need to be a “dark art.” If you are spending hours trying to get your compressed videos to look “right,” these excerpts...
NAB Panel: Breaking the Hollywood Mold
April 6, 2015, 04:56 AM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Hey folks – in conjunction with Adobe, we are presenting a discussion panel for filmmakers on the subject of bypassing the Hollywood business model, and finding success on YouTube and other online platforms. On the panel will be some of out favorite online filmmakers: Ryan Connolly – Film Riot/Triune Films Sam Gorski & Niko Pueringer […]
FCG116 – The Cisco Kid (feat. Ray Brown)
April 6, 2015, 04:53 AM
http://digitalcinemacafe.com/2015/04/05/fcg116-the...
Working solo or in a workgroup, it doesn’t matter but Ray Brown still has found FCPX to be an amazing asset in his career. Whether he is creating reality TV or commercials or person projects in Budapest Hungary Ray was able to transition from Final Cut Classic to Final Cut Pro X seamlessly. Ray also has long time exposure to the music industry growing up with his dad as founder of War, the very popular 70’s era funk band.
AE Tutorial - Rotoscoping With Mocha
April 5, 2015, 01:36 PM
https://www.aotg.com/ae-tutorial-rotoscoping-with-mocha/
After Effects Tutorial - Rotoscoping With Mocha - In this Adobe After Effects tutorial I show you how to rotoscope using Mocha for After Effects as well as h...
CONTINUITY: CROSSING LINES AND MARKING BEATS
April 5, 2015, 03:15 AM
http://waondering.com/2015/04/03/continuity-lines-...
A few examplesof how crossing the line while maintaining continuity can be achieved in various ways. Most importantly how these ‘crossings’ tend to happen at key moments within scenes, breaking the content in various ‘beats’. This separations break down the various objectives, driving forces and twists within single scenes thus guiding the audience understanding of it all.
Birdman's Shifting Spaces
April 4, 2015, 07:22 PM
https://www.aotg.com/birdmans-shifting-spaces/
"Swerving and halucinating, this megalomanic backstage comedy runs us along all the perverted, hysterical stations of theatre life", Filmkrant-critic Ronald Rovers wrote about Alejandro González Iñárritu's Oscar-winner Birdman. The swerving and the halucinating indeed go hand in the film...
All Things Adobe at NAB 2015
April 4, 2015, 07:21 PM
http://www.provideocoalition.com/all-things-adobe-...
2015 promises to be a memorable year for #TeamAdobe at #NABShow. In addition to all the exciting things that will be shown at the Adobe Booth SL5110 (check our booth schedule), including amazing presentations from top Adobe customers like YouTube megastar Devin Supertramp, Aaron Brenner of the LA Kings Kings Vision, and Dan Dome from Late Night with Seth Myers, Adobe team members will be participating in all sorts of panels and presentations… AND the team is growing.
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Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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