It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 25, 2018, 06:35 AM
http://www.btlnews.com/featured/82599/
Anna Behlmer honored with CAS Career Achievement Award Joe Wright presented with CAS Filmmaker Award Tomlinson Holman, CAS honored with Edward J. Greene Award The Cinema Audio Society Award for Outstanding Sound Mixing Motion Picture – Live Action was presented to the sound mixing team from Dunkirk of Mark Weingarten CAS, Gregg Landaker, Gary Rizzo CAS, Alan Meyerson […] The post Dunkirk, Coco, and Jane Take Top Honors at CAS Awards appeared first on Below the Line.
February 25, 2018, 06:34 AM
http://www.goldderby.com/article/2018/2018-cinema-...
At Saturday’s Cinema Audio Society Awards, “Dunkirk” edged out three of its Oscar rivals for Best Sound Mixing — “Baby Driver,” “The Shape of Water” and “Star Wars: The Last Jedi” — as well as “Wonder Woman” for the top award. The CAS snubbed “Blade Runner: 2049,” which won big with the Motion Picture Sound Editors on Feb. 18
February 25, 2018, 06:34 AM
https://www.asoundeffect.com/6-podcasts-worth-hear...
It’s time to freshen up on what’s going on in the audio industry through the delightful voices of our favorite hosts.
February 25, 2018, 06:34 AM
http://soundworkscollection.com/news/cinema-audio-...
The Cinema Audio Society Award for Outstanding Sound Mixing Motion Picture - Live Action was presented to the sound mixing team from “Dunkirk” of Mark Weingarten CAS, Gregg Landaker, Gary Rizzo CAS, Alan Meyerson CAS, Thomas J. O’Connell and Scott Curtis.
February 24, 2018, 06:29 AM
http://www.btlnews.com/featured/54th-annual-cinema...
The 54th Annual Cinema Audio Society Awards (CAS), presented by Dolby Labs, recognizing Outstanding Achievements in film and television sound mixing will be held Saturday, Feb. 24th at the Omni Los Angeles Hotel. Joe Wright, Oscar nominated for Darkest Hour, is to receive the CAS Filmmaker Award this year, and Anna Behlmer will […] The post The 54th Annual Cinema Audio Society Awards February 24th appeared first on Below the Line.
February 23, 2018, 01:51 PM
http://www.btlnews.com/featured/best-sound-mixing-...
Oscar Nominees Mary H. Ellis, Tim Cavagin, and Julian Slater Create An Aural Perspective With Sound Mixing in Baby Driver. When considering mixing, combining the elements to be pleasing to the ear is what certainly comes to mind, but sound mixing always starts in production and segues to post-production. Baby Driver’s sound mixer, Mary H. Ellis (Remember […] The post Best Sound Mixing Nominee – Baby Driver appeared first on Below the Line.
February 22, 2018, 06:29 PM
http://www.btlnews.com/featured/65th-annual-mpse-a...
Golden Reel: Blade Runner 2049 and War for the Planet of the Apes Win Top Honors Blade Runner 2049 captured the Golden Reel Award for Best Sound Editing in Feature Film for FX/Foley and War for the Planet of the Apes took the prize for Best Sound Editing in Dialogue/ADR. Blade Runner 2049 supervising […] The post 65th Annual MPSE Awards appeared first on Below the Line.
February 22, 2018, 03:17 PM
http://deadline.com/2018/02/dunkirk-hans-zimmer-os...
Embarking on a storied creative partnership with Christopher Nolan over a decade ago, Hans Zimmer always shared with the director one particular desire: to compose a score that would fuse completely and irrevocably with the image.
February 21, 2018, 02:48 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES – Supervising sound editor Frank Serafine recently completed a video training series for the technology learning platform Pluralsight (https://app.pluralsight.com). The “Film Sound Production” course runs approximately one hour and 20 minutes, and covers a broad range of topics, each relating to the business of audio for film.
February 21, 2018, 02:48 PM
http://postperspective.com/skywalkers-michael-sema...
By Jennifer Walden Oscar-winning re-recording mixer Michael Semanick from Skywalker Sound mixed the sound effects, Foley and backgrounds on Star Wars: The Last Jedi, which has earned an Oscar nomination for Sound Mixing. Technically, this is not Semanick’s first experience with the Star Wars franchise — he’s credited as an additional mixer on Rogue One — but on The Last Jedi he was a key figure in fine-tuning the film’s soundtrack. Continue reading → February 21, 2018 The pos...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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