To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Super Bowl: Sound Lounge’s audio post for Pepsi,

February 15, 2018, 08:06 PM

http://postperspective.com/super-bowl-sound-lounge...

By Jennifer Walden Super Bowl Sunday is an unofficial national holiday in this country, with almost as much excitement for the commercials that air as for the actual game. And regardless of which teams are playing, New York’s advertising and post communities find themselves celebrating, because they know the work they are providing will be seen by millions and talked about repeatedly in offices and on social media. Continue reading → February 15, 2018 The post Super Bowl: Sound Lounge...

Super Bowl: Sound Lounge’s audio post for Pespi,

February 15, 2018, 01:26 PM

http://postperspective.com/super-bowl-sound-lounge...

By Jennifer Walden Super Bowl Sunday is an unofficial national holiday in this country, with almost as much excitement for the commercials that air as for the actual game. And regardless of which teams are playing, New York’s advertising and post communities find themselves celebrating, because they know the work they are providing will be seen by millions and talked about repeatedly in offices and on social media. Continue reading → February 15, 2018 The post Super Bowl: Sound Lounge...

Growth and Guidance: An Interview with Steven Gree

February 15, 2018, 01:26 PM

http://designingsound.org/2018/02/growth-and-guida...

This is a guest interview submission with Steven Green, a sound designer based in the Bay-Area. It was conducted by Los Angeles sound designer Colin Andrew Grant. Since graduating from Michigan Technical University in 2014, Steven Green has been kept busy with a steady stream of work. Despite the fact that he still considers himself a […]

A Conversation With 'Early Man' Composer Tom Howe

February 15, 2018, 01:26 PM

https://filmschoolrejects.com/conversation-early-m...

Often the unsung heroes of the filmmaking business, composers can really help a film reach its full potential. Tom Howe is a composer whose most recent work includes scoring for Professor Marston and the Wonder Women, as well as the newest Aardman Animation film Early Man. His past credits also include Wonder Woman, The Legend of Tarzan, and The Great British Bake-Off.

How Martin Scorsese Perfected the Voice-Over

February 15, 2018, 01:26 PM

https://filmschoolrejects.com/martin-scorsese-perf...

Voice-over narration in film is often accused of being lazy or a crutch. Cinema is, after all, about visual storytelling. A voice-over can undermine the nature of the art form when misused. However, Martin Scorsese’s filmography, namely Goodfellas, Casino, Wolf Of Wall Street and Taxi Driver serve as excellent reminders for how great a voice-over can be when done right.

Blade Runner Sound:A Dystopia Built From Scratch

February 15, 2018, 10:47 AM

http://www.indiewire.com/2018/02/blade-runner-2049...

Denis Villeneuve and his sound design team breakdown the hellish soundscape of BiBi’s Bar to show how Los Angeles evolved 32 years later.

Pro Tools 2018 Mix Window

February 15, 2018, 07:08 AM

https://www.pro-tools-expert.com/home-page/2018/2/...

Avid introduced a new EQ curve display in the recent release of Pro Tools 2018.1. Pro Tools 2018 also got the long-awaited track preset feature which enables users to quickly save and recall many wonderful Pro Tools things such as plug-in chains. The track preset feature can be accessed in either the Mix or Edit window, the EQ curve display though can only be viewed within the mix window.

ProCo Sound Now Shipping AoD Output Module

February 14, 2018, 01:42 PM

https://www.aotg.com/proco-sound-now-shipping-aod-output-module/

ProCo Sound, manufacturer of a range of audio interface products, is now shipping its AoD Ouput Module ahead of NAB 2018 (Central Hall - Booth: C2322). Designed to ensure studio-quality, low-latency audio transport over any Dante network, the AoD Output Module features a Dante audio input and two channels of analog output from a rugged aluminum extrusion housing.

Remembering Jóhann Jóhannsson, Visionary Film Co

February 14, 2018, 01:19 PM

https://filmschoolrejects.com/remembering-johann-j...

’d first knowingly heard Icelandic composer Jóhann Jóhannsson‘s work in Denis Villeneuve’s Arrival, in which the score is characterized by a low, rumbling din and staccato vocalizations that, fittingly, sound altogether alien to the ears.

Wisycom Captures Stunts and Jokes for SCIJINKS

February 14, 2018, 11:01 AM

https://www.aotg.com/wisycom-captures-stunts-and-jokes-for-scijinks/

In the world of television production, audio and video crews are faced with the challenges of staying concealed while capturing the action for hidden-camera shows. Wireless audio equipment becomes an even more crucial tool in these types of scenarios. Audio production company ToneMesa Inc. carefully selected its audio equipment with these applications in mind for the upcoming prank series SCIJINKS, airing on the Science Channel.

#wisycom

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