It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 17, 2017, 10:01 AM
http://clinttill.net/blog/how-to-create-3d-text-on...
If you're looking for some excellent After Effects tutorials, whether you are a beginner or an advanced user, take a look at Video Copilot. A few years ago I came across this quick tutorial on how to create 3D titles that appear to live inside your frame, along with your footage. This method will give a unique look to your titles and definitely sets them apart from most titles that lay flat across the frame.
August 17, 2017, 10:01 AM
http://motionographer.com/quickie/colour-on-colour...
Ongoing experiments using film to drive procedural content.
August 17, 2017, 06:06 AM
https://www.screeneditors.com.au/adobe/
Adobe is the global leader in digital marketing and digital media solutions. Their tools and services enable their customers to create groundbreaking digital content, deploy it across media and devices, measure and optimize it over time, and achieve greater business success. www.adobe.com/au
August 17, 2017, 06:06 AM
http://postperspective.com/editor-william-hoy-work...
By Mel Lambert For William Hoy, ACE, story and character come first. He also likes to use visual effects “to help achieve that idea.” This veteran film editor points to director Zack Snyder’s VFX-heavy I, Robot, director Matt Reeves’ 2014 version of Dawn of the Planet of the Apes and his new installment, Continue reading → August 17, 2017 The post Editor William Hoy — working on VFX-laden War for the Planet of the Apes appeared first on Randi Altman's postPerspective.
August 17, 2017, 06:05 AM
http://www.studiodaily.com/2017/08/co-editors-bill...
Kathryn Bigelow’s new film, Detroit, dramatizes one of the most violent and least-known racially charged police brutality confrontations of the 1960s—the infamous Algiers Motel incident. Bigelow has been quoted as saying she was pursuing a sort of “journalistic style” of filmmaking in telling the story, richly taking advantage of cinematographer Barry Ackroyd’s constantly moving camera […] The post Co-Editors Billy Goldenberg, ACE, and Harry Yoon on Detroit appeared first on Stu...
August 17, 2017, 06:05 AM
https://www.screeneditors.com.au/edit-royale-sydne...
The Australian Screen Editors in conjunction with Digistor are hosting the first #EditRoyale. Five emerging editors will compete to show off their editing artistry and speed. Each will edit a one-minute music video in only two hours. The editor that produces the best edit of the night will win 2 tickets to the Annual Australian Screen Editor Awards (The Ellies) […]
August 17, 2017, 06:05 AM
http://renderplease.com/post/164257066995
We’re like:
August 17, 2017, 06:04 AM
http://www.prosoundeffects.com/blog/sound-design-t...
Discover how sound designer and editor Sylvain Bellamare uses backgrounds and silence to guide narrative. Sylvain Bellemare, winner of the 2017 Academy Award® for Best Sound Editing for his work on Denis Villeneuve’s sci-fi film Arrival, was featured on the latest episode of CBC Arts’ The Filmmakers – an interview series highlighting creative talent behind popular ... The post Sound design tips from Oscar® winner Sylvain Bellemare appeared first on Pro Sound Effects Library.
August 17, 2017, 06:04 AM
http://www.artofvfx.com/netto-the-easter-surprise-...
Check out this making of by The Mill about their work on this cute Netto commercial...
August 17, 2017, 06:04 AM
http://www.cgmeetup.net/home/the-future-of-storyte...
Story is powerful. The Narrativa team at Autodesk discovers and develops ideas that empower all storytellers. We look at the function of story for our species in the past, today and in the future. Knowledge-based systems, machine intelligence, and generative methods are accelerating and soon will enable impactful stories to be told by anyone.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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