To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Technicolor PostWorks Finishes “Boardwalk Empire

March 30, 2015, 04:35 PM

http://www.broadcastbeat.com/technicolor-postworks...

Colorist John Crowley collaborates with ASC Award-winning cinematographer Jonathan Freeman. NEW YORK—Post production finishing for the fifth and final season of Boardwalk Empire was completed last fall at Technicolor PostWorks New York. The HBO series, set in Atlantic City during the Prohibition Era, was one of the most acclaimed television dramas of the past decade, […]

DaVinci Resolve: Working with Memory Colors

March 30, 2015, 09:24 AM

http://www.premiumbeat.com/blog/davinci-resolve-tu...

Humans store memories of specific colors like we remember life events. Learn how rendering "memory colors" accurately can bring your project to life. The post DaVinci Resolve: Working with Memory Colors appeared first on The Beat: A Blog by PremiumBeat.

FotKem colorist Mark Griffith: digital remastering

March 28, 2015, 04:15 AM

http://postperspective.com/fotkem-colorist-mark-gr...

By Randi Altman Who doesn’t love The Sound of Music? Who? Introduce them to me and we’ll talk. Fifty years after it was released in theaters, this classic film about — well, you know what it’s about — was restored by Burbank’s Fotokem, home to one of the last feature film labs in the country. The studio completed the restoration of the 65mm musical through 8K scans from large-format film elements, downsampled to 4K for restoration and digital cinema mastering. For the restorati...

Park Road Relied on Mistika in “The Hobbit: The

March 28, 2015, 04:14 AM

http://www.sgo.es/2014/12/park-road-relied-on-mist...

Epic Adventure Film Trilogy Involved Mistika’s Grading Technology From Start to Finish New Zealand facility Park Road once again used Mistika for the post production of “The Hobbit: The Battle of The Five Armies”, a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), the third film in “The Hobbit Trilogy” directed by Peter Jackson. Mistika’s colour grading and finishing ... Read More

Review: Color Finale - Review

March 27, 2015, 01:29 PM

http://www.macprovideo.com/hub/review-2/review-col...

Denver Riddle is well-known as a colorist, and has previously released the LUT Utility and a range of LUTs to support it. This time around, something bigger: an entire color correction suite, supporting multiple instances of several different adjustments. This is a big deal for FCP X users: let’s find out how big. (Note: footage here was shot in ProRes/Film mode on my Blackmagic Pocket Cinema Camera. You’ll need high quality footage to stand up to serious grading.)

Color Grading with Alex Jordan

March 26, 2015, 04:15 PM

https://www.aotg.com/color-grading-with-alex-jordan/

A discussion about color grading with DP Alex Jordan Check out...

SKYLAB Develops “Meaningful Color” for Chappie

March 26, 2015, 09:37 AM

http://www.btlnews.com/crafts/post-production/skyl...

Vancouver-based post house, SKYLAB (formerly Digital Film Central), recently developed an innovative new workflow to integrate creative grading with both editorial and VFX for Neill Blomkamp’s new movie, Chappie. Working with visual effects studio Image Engine, the team created a feature-finishing architecture which took advantage of FilmLight’s BLG file format, Baselight and Academy Color Encoding System (ACES) technology.

Master colour in Creative Cloud

March 26, 2015, 09:35 AM

http://www.creativebloq.com/adobe/master-colour-cr...

Colour. It's fundamental to conveying mood and tone of voice – from designing a logo, website or brochure, to producing content for print, digital or motion. The simple fact is, your colour palette – or theme – is vitally important.

Technicolor Closing Offices in Burbank And London

March 26, 2015, 09:34 AM

http://deadline.com/2015/03/technicolor-closing-of...

Technicolor, Hollywood’s storied postproduction house, is closing its two of its facilities in the U.S. and UK, including the recently opened 20,000-square-foot office in Burbank.

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