It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 23, 2017, 05:38 AM
http://lesterbanks.com/2017/07/create-custom-hud-s...
In production it can be handy to have a custom shot mask for your camera that indicates important information. Cinema 4D has some information that you can burn on the screen, but it is pretty The Post How To Create a Custom HUD Shot Mask for Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks
July 23, 2017, 05:38 AM
https://www.aotg.com/the-dissolve-the-hardest-cut/
In film editing and video editing, a dissolve is a gradual transition from one image to another. What does it take to pull of this cut?
July 23, 2017, 05:38 AM
https://www.provideocoalition.com/lets-edit-media-...
As a Media Composer editor, one of the more annoying aspects of titling is that every time we want to make a change to a title in our timelines, we have to wait for the Title Tool to launch, before we can make our changes. This can be an especially annoying task if you need to adjust 20 titles in a credit sequence. BCC’s Title Studio has a great “hidden” feature where, working in conjunction with the FX Browser, you can adjust titles faster than you ever had before!
July 22, 2017, 04:43 AM
https://www.aotg.com/editor-dylan-tichenor-ace-on-editing-an-ensemble/
Editor Dylan Tichenor, ACE on editing an ensemble in "Boogie Nights." From "Inside the Cutting Room with Bobbie O'Steen" panel from Sight, Sound & Story on June 10th, 2017.
July 22, 2017, 04:43 AM
http://designingsound.org/2017/07/sound-fx-streami...
CreativeFieldRecording has published a comprehensive overview about available audio streaming platforms & alternatives for soundcloud with a focus on their features in regards to non music content. You can read the full article here.
July 21, 2017, 04:56 PM
http://www.postmagazine.com/Press-Center/Daily-New...
CHICAGO — The Colonie (www.thecolonie.com), the Chicago-based editorial, visual effect and motion graphics shop, has promoted Jimmy Helm to editor. He’s been honing his craft by working alongside The Colonie’s senior editors for the past seven years, and most recently managed ongoing social media work with Facebook, Inc. Client work has also included jobs for Lyft, Dos Equis, Capital One, Heineken and Microsoft.
July 21, 2017, 04:56 PM
http://www.philiphodgetts.com/2017/07/the-challeng...
Discussion of the training data needed for Machine Learning from TechCrunch.
July 21, 2017, 04:56 PM
http://renderplease.com/post/163255059335
I CAN’T FIND YOUR F$&%ING CUT!!!!
July 21, 2017, 12:36 PM
http://lesterbanks.com/2017/07/guide-unwrapping-uv...
UV mapping, pinning, unwrapping and layout is an important step in the production pipeline. Yet many Cinema 4D users seem to avoid this step altogether. Others don’t know how enough about it to get a The Post A How To Guide for Unwrapping UVs With C4D originally appeared and published on %%BLOGLINK%,by lesterbanks
July 21, 2017, 09:30 AM
http://www.digitalproductionbuzz.com/2017/07/trans...
HOST Larry Jordan GUESTS Michele Yamazaki, VP Marketing, Toolfarm Bruce Logan, Director of Photography, Bruce Logan Film Nancy Eperjesy, President and Co-Founder, Mettle Miguel Angel Doncel, CEO, SGO Ric Viers, CEO, Blastwave FX James DeRuvo, Film and Technology Reporter, DoddleNEWS == Larry Jordan: Tonight on The Buzz we look at the wide world of visual effects. … The post Transcript: Digital Production Buzz – July 20, 2017 appeared first on Digital Production BuZZ.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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