It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 19, 2017, 09:49 AM
http://lesterbanks.com/2017/07/whats-new-animation...
Jacques Lucke recently released a new version to Blender’s procedural animation and workflow toolset, Animation Nodes 2. You can think of Animation Nodes as a visual scripting system that was designed for motion graphics work The Post Watch What’s New With Blender’s Animation Nodes 2 originally appeared and published on %%BLOGLINK%,by lesterbanks
July 19, 2017, 09:49 AM
http://designingsound.org/2017/07/firewatch-solitu...
Whether you heard of Firewatch when it was announced a couple of years ago, around the time of its successful release or when it won such awards as Unity’s own “Best 3D Visuals” last year, you probably were struck first by its wonderful visual design and the incredibly natural and realistic flow of the conversations between its […]
July 19, 2017, 09:48 AM
http://www.broadcastbeat.com/new-editshare-xstream...
Boston, MA — July 19, 2017 — EditShare, a technology leader in intelligent shared storage and media management solutions, today announced the expansion of its high-performance XStream EFS scale-out storage product line with the introduction of the XStream EFS 40NL storage solution. The new XStream EFS 40NL scale-out storage model is designed to deliver the performance ...
July 19, 2017, 09:48 AM
https://roosterpost.wordpress.com/2017/07/19/dave-...
The folks at KBS and Gaviscon want people to get to know the blue Gaviscon guy a little better. To help with that mission, editor Dave De Carlo teamed up with Frank director Craig Brownrigg to bring the typecast blue Gaviscon guy to life. This cute spot features him on a date, taking in nature’s […]
July 19, 2017, 09:48 AM
http://nofilmschool.com/2017/06/watch-what-makes-g...
The best car chase scenes, like bridges in classic songs, move viewers from one part of a film to another. Rather than being merely vehicles to fill otherwise unassigned screen time, they can tell audiences a lot about the inner workings of the movie you're making.
July 19, 2017, 09:48 AM
http://www.artofvfx.com/okja-erik-jan-de-boer-vfx-...
Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.
July 19, 2017, 09:48 AM
https://www.wheretowatch.com/2017/07/how-vfx-super...
The first time Scott Stokdyk worked for Luc Besson back in 1995, the French auteur hired him to work on his then-groundbreaking sci-fi flick The Fifth Element. "At that time I was just this computer artist sitting at a work station for fourteen hours a day in a little dark cubicle excited to be working in the world of film,” says Scott. Since then, visual effects have made gargantuan advances, and so has Scott. He won an Oscar for his work on Spider-Man 2 and made munchkins for Oz The Great an...
July 19, 2017, 07:15 AM
https://www.aotg.com/new-editshare-xstream-efs-40nl-cuts-workflow-costs/
Market-leading EFS platform provides rock-solid reliability and scalability for cost-effectively managing asset parking and disaster recovery
#workflow#post production#editshare#shared storageJuly 19, 2017, 05:38 AM
http://www.finalcutpro.es/2017/07/actualizacion-lo...
Apple acaba de lanzar una nueva actualización gratuita de Logic Pro X, con nuevas prestaciones entre las que se incluyen tres nuevos Drummers y nuevos Drummer loops (bucles). A continuación hay una lista de algunas de las nuevas prestaciones y capacidades. La actualización está disponible para descarga inmediata en la App Store. Novedades que aporta [...] La entrada ACTUALIZACIÓN: Logic Pro X 10.3.2 aparece primero en finalcutpro.es.
July 19, 2017, 05:37 AM
http://alex4d.com/notes/item/logic-pro-x-10-3-2-up...
It looks like the Logic Pro team are spending time making it work better with Final Cut Pro X. Logic Pro X was updated to version 10.3.2 yesterday. In the extensive list of new features and bug fixes, here are the points related to Final Cut: When importing Final Cut Pro XML projects containing multichannel audio files, Logic Pro now reliably maintains channel assignments. Large Final Cut Pro XML files now load more quickly. Final Cut Pro X XML files now reliably import with the corre...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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