It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 16, 2017, 07:47 AM
https://www.digitaltrends.com/computing/how-to-cal...
Plenty of people stare at computer monitors all day — if you’re reading this, chances are you’re doing just that. But how many people take the time to calibrate their computer monitor? Proper calibration will ensure that your colors and black levels are true, and will ensure that your monitor is producing the best results for editing and viewing images and videos. Plus, it’ll be easier on your eyes! Knowing how to calibrate your monitor is an increasingly important skill.
July 16, 2017, 07:47 AM
http://www.rotoscopers.com/2017/07/15/d23-expo-201...
Opening with a #DreamBigPrincess homage video, featuring everyday princesses from around the globe, the Power of the Princess panel already tugged at the audience’s nostalgia-coated heartstrings.
July 16, 2017, 07:47 AM
http://sparkfx.ca/festivals/information.php?NEWS-2...
Towards the end of Jon Watts’ Spider-Man: Homecoming, the newest instalment of the Spider-Man franchise and now part of Marvel’s larger cinematic universe, Peter Parker (Tom Holland) makes a bold choice to try and thwart the efforts of Adrian Toomes (Michael Keaton), who is hell-bent on stealing Avengers weaponry from a plane — mid-flight — as it leaves New York.
July 15, 2017, 02:53 PM
http://lesterbanks.com/2017/07/mesh-blend-impressi...
I was feeling a little left out in Autodesk Maya once noticing so many kit bashing tools popping up in other DCC’s. Blender’s Decal Machine was one that seemed particularly jaw dropping. If you are The Post Mesh Blend is Impressive Kit Bashing for Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
July 15, 2017, 02:53 PM
https://www.provideocoalition.com/AOTC-War-HOY
William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first major feature films was Dances With Wolves. Since then he’s edited a string of box office and critically acclaimed hit films: Star Trek VI: The Undiscovered Country, Patriot Games, Se7en, The Man in the Iron Mask, The Bone Collector, Dawn of the Dead, Fantastic Four, 300, Watchmen, and Dawn of the Planet of the Apes. Art of the Cut caught up with William recently to discuss his work on War f...
July 15, 2017, 06:03 AM
https://americancinemaeditors.org/iava-2017-oscar-...
Another year and another opportunity to hear the Academy Award®-nominated editors talk about their craft. ACE’s annual Invisible Art, Visible
July 15, 2017, 06:03 AM
http://www.btlnews.com/community/siggraph-2017-pro...
SIGGRAPH 2017, the annual interdisciplinary educational experience showcasing advancements in computer graphics and interactive techniques, has announced the highlights of this year’s Production Sessions program. SIGGRAPH 2017 will mark the 44th International Conference and Exhibition on Computer Graphics and Interactive Techniques, and will be held 30 July–3 August 2017 in Los Angeles. SIGGRAPH Production Sessions […] The post SIGGRAPH 2017 Production Sessions to Feature Expert Creat...
July 15, 2017, 06:03 AM
https://digitalfilms.wordpress.com/2017/07/14/prem...
When you are editing on projects that only you touch, your working practices can be as messy as you want them to be. However, if you work on projects that need to be interchanged with others down the line, or you’re in a collaborative editing environment, good operating practices are essential. This starts at the […]
July 15, 2017, 06:03 AM
http://blogs.adobe.com/creativecloud/using-the-art...
In case you don’t make it to the Sundance Film Festival each January, you can still watch the roughly 200 independent film projects as they are released on a variety of channels throughout the year. A handful of films are being released in theaters this month, and one of them, A Ghost Story by director David Lowery (Pete’s Dragon, Ain’t Them Bodies Saints) — implemented an all Adobe Creative Cloud workflow to produce the movie. In fact, at the 2017 Sundance Film Festival, 154 project...
July 15, 2017, 06:03 AM
http://renderplease.com/post/162981720640
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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