To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Hollywood CA – LACPUG meeting:

July 11, 2017, 06:04 PM

http://feedproxy.google.com/~r/industryhappenings/...

Next lacpug Meet is Wednesday, July 26, 2017 beginning at 6:45PM – till we drop at the Gallery Theatre in Hollywood Ca. What it takes to be an Assistant Editor on Feature Films Join us as we welcome editor Lawrence Jordan and assistant editor Richard Sanchez as they debut their online course for people who want to learn what it takes to be an assistant editor on feature films. “Unlike anything out there, the online course is a deep drill down into the specifics of what’s requir...

Managing Media From Final Cut Pro X Projects With

July 11, 2017, 06:04 PM

http://www.fcp.co/final-cut-pro/news/1982-managing...

Staying within FCPX, you can only 'gather up and copy media' which isn't ideal. At the recent Faster Together stage at NAB, Chris Steele from Marquis Broadcast demonstrated Worx4 X that copies and trims media saving a lot of disk space.

ROBOCOP CRASHES 30: ED-209 STILL A STOP-MOTION HER

July 11, 2017, 06:04 PM

http://vfxvoice.com/robocop-crashes-30-ed-209-stil...

In 1987, fierce creatures and hulking robots seen on film were still mostly the domain of either full-sized practical effects or stop-motion animated miniature puppets. When director Paul Verhoeven needed menacing enforcement droid ED-209 to wreak havoc in his future dystopia, RoboCop, which celebrates its 30th anniversary in July 2017, he capitalized on both techniques.

Lucasfilm, ILM Announce Open Source Release of Mat

July 11, 2017, 06:03 PM

https://www.awn.com/news/lucasfilm-ilm-announce-op...

MaterialX development team to host a ‘Birds of a Feather’ meeting at the ACM SIGGRAPH Conference in Los Angeles, CA on Monday July 31 2017.

Digital Production Buzz – July 13, 2017

July 11, 2017, 12:21 PM

http://www.digitalproductionbuzz.com/2017/07/digit...

Tonight, The Buzz concentrates on digital asset management. Why is this so difficult? What affordable products are out there? What do you need to know to make the right choice? Listen to leaders in the industry explain what you need to know now. … The post Digital Production Buzz – July 13, 2017 appeared first on Digital Production BuZZ.

Editor Michael Berenbaum, ACE on Introducing the C

July 11, 2017, 12:21 PM

https://www.aotg.com/editor-michael-berenbaum-ace-on-introducing-the-c/

From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive.

Visual Effects Master Rob Legato Designs Oscar-win

July 11, 2017, 12:21 PM

http://blogs.adobe.com/creativecloud/visual-effect...

Titanic. Hugo. The Jungle Book. What do these visually stunning movies have in common? They each won an Academy Award for Best Visual Effects with visual effects supervisor Rob Legato at the helm. Legato got his start in television, winning two Emmys for the Star Trek franchise, but he left his successful television career to join Digital Domain, a visual effects company founded by James Cameron, Stan Winston, and Scott Ross. The rest, as they say, is history. Hugo In the years since, Le...

New Script Makes Brings Sound in Ae to Nested Comp

July 11, 2017, 12:21 PM

http://lesterbanks.com/2017/07/bring-sound-ae-nest...

Animating to Audio in After Effects? Synchronizing keyframes and animations to audio is pretty easy. That is, if the audio is right there for you. What about animating deep within nested comps? Audio in after The Post New Script Makes Brings Sound in Ae to Nested Comps originally appeared and published on %%BLOGLINK%,by lesterbanks

Currently

July 11, 2017, 12:20 PM

http://renderplease.com/post/162866477380

In my edit bay:As soon as I step outside:

High-End Post Boutique TWELVE Launches

July 11, 2017, 12:20 PM

http://www.broadcastbeat.com/high-end-post-boutiqu...

— Award-Winning Colorist Lez Rudge Partners with Industry Vets Marcelo Gandola, Axel Ericson & Ed Rilli on New Venture — New York, NY – (July 11, 2017) –  Award-winning colorist Lez Rudge and veteran production and postproduction executives Marcelo Gandola, Axel Ericson and Ed Rilli have joined forces to launch TWELVE, a high-end post boutique ...

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