To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

David Yewdall Dies: ‘The Fifth Element’ & ‘T

July 7, 2017, 01:56 PM

http://deadline.com/2017/07/david-yewdall-dead-vso...

David Yewdall, a sound editor and teacher whose long career included work on such films as Escape From New York, The Thing, Twilight Zone: The Movie and The Fifth Element, has died. He was 66. His family confirmed to Deadline that Yewdall died Tuesday of pancreatic cancer at Forsyth Medical Center in Winston-Salem, NC.

Week in Premiere 7/7/17

July 7, 2017, 11:53 AM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Automate to Sequence in Premiere Pro • Interview with Sean Schools, Premiere Bro Founder • FREE 4K Film Burns, Film Effects and Bokeh • 2 FREE Premiere Pro Courses

#editing#adobe#premiere pro#tutorials#creative cloud
Transcript: Digital Production Buzz – July 6, 20

July 7, 2017, 10:22 AM

http://www.digitalproductionbuzz.com/2017/07/trans...

HOST Larry Jordan GUESTS Rohan Vora, Senior Product Manager, Dropbox Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Tom Coughlin, President, Coughlin Associates, Inc. Andrew Klein, Director, Product Marketing, Backblaze James DeRuvo, Film and Technology Reporter, DoddleNEWS == Larry Jordan: Tonight on the Buzz we are looking at cloud storage and breaking news. … The post Transcript: Digital Production Buzz – July 6...

Jr. Canest Shares Some Great Tips for After Effect

July 7, 2017, 10:22 AM

http://lesterbanks.com/2017/07/jr-canest-shares-am...

LearnSquared had a live stream featuring motion graphics all-star Jr. Canest (Jorge R. Canedo). The stream was open to a question and answer dialog where Jorge when through some of his work and showed how The Post Jr. Canest Shares Some Great Tips for After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks

How To Maximize Your C4D Workspace Through UI Cust

July 7, 2017, 10:22 AM

http://lesterbanks.com/2017/07/maximize-c4d-worksp...

The sign of an application that was built for working is to a large extent a malleable per interface. An application should allow you to not only set up your workspace, but also let you The Post How To Maximize Your C4D Workspace Through UI Customization originally appeared and published on %%BLOGLINK%,by lesterbanks

Automate to Sequence in Premiere Pro

July 7, 2017, 09:02 AM

http://www.premierebro.com/blog/automate-to-sequen...

This tutorial on Automate to Sequence won't change the way you edit in Premiere Pro. But, it could change the way you begin an edit in Premiere Pro. We'll also look at how Automate to Sequence can help you edit to a beat, make time-lapses and fix audio pops on jump cuts.

#editing#audio#adobe#premiere pro#creative cloud
TV Tokyo Uses URSA Mini 4.6K and Resolve 14

July 7, 2017, 08:13 AM

https://www.aotg.com/tv-tokyo-uses-ursa-mini-4-6k-and-resolve-14/

Blackmagic Design announced today that TV Tokyo’s new drama series “Izakaya Fuji,” which begins airing this July 8th, was shot using two Blackmagic URSA Mini 4.6Ks as the A and B cameras, as well as Blackmagic’s Video Assist and Video Assist 4K and SmartView 4K. On-set and final grading for the series was done using DaVinci Resolve Studio 14 and the DaVinci Resolve Mini Panel.

#color grading#post production#on-set
Boom Box Post: Sound Effects Microphone Shootout

July 7, 2017, 05:43 AM

http://designingsound.org/2017/07/boom-box-post-so...

Boom Box Post just published an in-depth microphone shootout between the Sennheiser MKH 8050, Sennheiser MKH 8060 and the Neumann KMR 82i. We wanted to test the timbre and character of each microphone as well as how they interacted with the acoustics in our edit bays.  To test the mics we recorded a variety of sample […]

BEHIND THE VFX OF WONDER WOMAN’S SECRET ISLAND

July 7, 2017, 05:43 AM

http://vfxvoice.com/behind-the-vfx-of-wonder-woman...

In Wonder Woman, the newest installment in the DC Extended Universe film franchise, director Patty Jenkins relied on a significant but seamless visual effects effort to help realize Diana Prince’s (Gal Gadot) hidden island home of Themyscira.

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