It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 5, 2017, 12:30 PM
http://saeditores.org/Novedades/Infidelidad-por-An...
Seguramente, una de las situaciones más gratificantes para un editor debe ser cuando logra resolver una escena que no estaba funcionando bien tal como fue concebida originalmente: es decir, cuando encuentra la manera de potenciar el material con una mirada novedosa, y extraer las emociones y sentimientos que no estaban emergiendo a la superficie. La legendaria Anne V. Coates (ACE), editora de numerosos clásicos del cine mundial, cuenta cómo logró esto en un pasaje de Infidelidad (Adri...
July 5, 2017, 12:30 PM
https://www.premiumbeat.com/blog/master-text-style...
Adobe Premiere Pro’s new Essential Graphics panel offers a drastically different workflow from the Title Tool panel.
July 5, 2017, 12:30 PM
http://renderplease.com/post/162632313375
July 5, 2017, 12:30 PM
http://postperspective.com/behind-title-ps260-edit...
NAME: Matt Posey COMPANY: PS260 (@ps260nyc) CAN YOU DESCRIBE YOUR COMPANY? PS260 is a boutique editorial house (with offices in Venice, California and New York City) specializing in commercials, music videos and features. Continue reading → July 5, 2017 The post Behind the Title: PS260 editor Matt Posey appeared first on Randi Altman's postPerspective.
July 5, 2017, 12:29 PM
http://lesterbanks.com/2017/07/introduction-yeti-b...
So this is exciting — Groom Artists Francesco Di Luisi and Sofia Oliveira are starting a new tutorial series that will help you get started creating hair and fur grooms using Yeti. Sofia and Francesco The Post Introduction to Yeti, Building Your First Graph originally appeared and published on %%BLOGLINK%,by lesterbanks
July 5, 2017, 12:29 PM
http://lesterbanks.com/2017/07/stardust-compare-tr...
Trapcode Particular easily bested any native particle system that After Effects offered. That was years and years ago though. Today the Trapcode Suite and Particular shows their age. Still useful and quite capable, the Particular The Post How Does Stardust Compare to Trapcode Particular? originally appeared and published on %%BLOGLINK%,by lesterbanks
July 5, 2017, 12:29 PM
https://edaeditores.org/ciclo-de-cine-eda-presenta...
¡Muchas gracias a todos los que nos acompañaron en nuestra función #20 de EDA PRESENTA! En nuestra última proyección presentamos el documental “Mi último fracaso”, dirigido por Cecilia Kang, escrito por ella junto a Virginia Roffo.Luego de ver la película compartimos una charla muy amena junto al público y al montajista Sebastián Agulló (SAE). Conversamos […]
July 5, 2017, 12:28 PM
http://lesterbanks.com/2017/07/fundamentals-buildi...
Building a character rig? One of the most fundamental concepts other than IK and FK itself, is a switch between the two. The FK/IK switch is an important feature for animators to have, so it The Post The Fundamentals of Building the FK/IK Switch originally appeared and published on %%BLOGLINK%,by lesterbanks
July 5, 2017, 12:28 PM
http://filmklippere.com/wp/2017/07/erland-edenholm...
Erland Edenholm Hvem er du? Mitt navn er Erland Edenholm og jeg er 54 år. Jeg kommer opprinnelig fra Stockholm men er bosatt i Oslo. Jeg flyttet til Norge tidlig på 80-tallet og har jobbet som klipper siden 1986. Hvorfor ble du film-klipper? Jeg hadde egentlig tenkt å bli stills-fotograf men da jeg kom til […]
July 5, 2017, 12:28 PM
https://www.aotg.com/how-wonder-woman-uses-color/
A mini video essay on how WONDER WOMAN uses color as a storytelling device.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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