To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Create Hard Surface Models in 3D Coat

July 4, 2017, 10:22 AM

http://lesterbanks.com/2017/07/create-hard-surface...

3D-Coat can excel at hard surface work. Its tools are easy to pick up and use, and the process can be fast and flexible. Creating hard surface models through 3dc’s voxel toolset can be a The Post How to Create Hard Surface Models in 3D Coat originally appeared and published on %%BLOGLINK%,by lesterbanks

Create a Halftone projection With VEX and VOPs in

July 4, 2017, 10:22 AM

http://lesterbanks.com/2017/07/halftone-projection...

Entagma’s Moritz Schwind covers a nice shoot-out between Side FX Houdini VEX and VOPs. The duel comes in the form of how to create a rasterized halftone projection effect that is mixed with perspective projection. The Post Create a Halftone projection With VEX and VOPs in Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks

ASE Rates and Conditions Public Document – 2017

July 4, 2017, 10:22 AM

http://www.screeneditors.com.au/ase-rates-and-cond...

This is an introduction to the ASE's Rates and Conditions Document, containing some basic information and guidelines. To see the full document, ASE members can go to Wages & Conditions. You will need to log in to access the full document.   ASE Rates and Conditions Public Document - 2017

Havaianas Tropical VFX Breakdown

July 4, 2017, 10:22 AM

http://www.cgmeetup.net/home/havaianas-tropical-vf...

Clanvfx presents Havaianas Tropical VFX Breakdown.

Sebastián Sepúlveda on Editing Jackie

July 4, 2017, 06:13 AM

http://www.aotg.com/index.php?page=cuttingroom_202

Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real event can affect the edit.

Avid’s Free NLE, Media Composer First, Is Ready

July 4, 2017, 04:59 AM

http://www.studiodaily.com/2017/06/avids-free-nle-...

Avid has finally released Media Composer First, the long-promised free version of its widely used NLE, in versions for Mac OS X 10.11 and 10.12 and 64-bit Windows 10 (Professional and Enterprise), Windows 8.1 (Professional and Enterprise), or Windows 7 Professional (Service Pack 1). The software is available for download at the Avid website. Originally […] The post Avid’s Free NLE, Media Composer First, Is Ready to Download appeared first on Studio Daily.

The editing team for Transformers: The Last Knight

July 4, 2017, 04:59 AM

https://www.provideocoalition.com/art-cut-editing-...

Art of the Cut takes a step into the epic – not just with the film we’re discussing – but because to cover the editing of Michael Bay’s Transformers: The Last Knight, we spoke to four editors in three separate interviews. The exciting thing for readers of Art of the Cut is that when you get six top editors on a single picture, they all learn from each other in ways that are impossible without working on the same footage and with the same director. Those important lessons are at the core ...

VFX Interview with Laura Vanderkam

July 4, 2017, 04:59 AM

http://www.allanmckay.com/86/

Episode 86 – Interview with Laura Vanderkam, Bestselling Author of “What the Most Successful People Do Before Breakfast”

Why a Thunderbolt Display can’t power Thunderbol

July 4, 2017, 04:58 AM

http://www.macworld.com/article/3200993/displays/w...

Steve Dvorak writes in with a question about the 27-inch Apple Thunderbolt Display and the new MacBook Pro.

Episode 202 - Sebastian Sepulveda (Jackie)

July 4, 2017, 01:48 AM

https://www.aotg.com/episode-202-sebastian-sepulveda-jackie/

Sebastian Sepulveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real event can affect the edit.

#editor#editing#film#film editing#television#movies#jackie#the cutting room#sebastian sepulveda

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