To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Day 4 #28daysofquicktips - Override clip connectio

February 4, 2015, 06:08 AM

http://provideocoalition.com/ssimmons/story/day-4-...

One fundamental feature of Final Cut Pro X is the Connected Clip be they single video or audio clips or Secondary Storylines. Once you’ve made them and established those connection points Connected Clips will slide around and move as their parent clips are moved; be that via a trimming operation or click and drag. But there are times (quite possibly a lot of times) when you want the Connected Clips to stay put as you adjust the parent clip. The tilde (or grave accent) key comes to the resc...

"The Serf" Fable by Joe Bini at Sundance 2015

February 4, 2015, 06:08 AM

http://editorunderconstruction.blogspot.com/2015/0...

Article and "The Serf" fable:http://www.sundance.org/blogs/program-spotlight/joe-bini-talks-the-art-of-editing-and-offers-a-cautionary-tale-for-editors-everywhereJoe Bini: Making a film is an extremely difficult endeavor. When you shoot a film, some shit works and some shit doesn't work: that is always the simple fact. The single most important guiding principle that I have learned is that you can only be successful making films by being truthful—truthful about the process, about what ...

Red Giant upgrades all their colour correction plu

February 4, 2015, 06:07 AM

http://www.fcp.co/hardware-and-software/pro/1598-r...

Red Giant has just completed a huge update to its colour correction products. New features, better GPU usage and a new tool added to the Magic Bullet Suite 12.

Red Giant lance Magic Bullet Suite 12

February 4, 2015, 06:06 AM

http://www.3dvf.com/actualite-12065-red-giant-lanc...

Red Giant announced the launch of Magic Bullet Suite 12 , its collection of color correction tools and finishing. The suite includes Magic Bullet Looks 3.0 , Magic Bullet Colorista III , Magic Bullet Movie 1.0 , Magic Bullet Mojo 2.0 , Magic Bullet Cosmo 2.0 , Denoiser II and LUT Buddy . These tools can also be purchased separately. They are compatible After Effects, Premiere Pro and, for the most part, with Sony Vegas Pro, Final Cut Pro, Apple Motion.

Review Focusrite

February 4, 2015, 06:05 AM

http://www.pro-tools-expert.com/home-page/2015/2/4...

In this show & tell video review James takes a look and listen to the new Focusrite Red 2 EQ and Red 3 Compressor that are now bundled with every Focusrite interface and are available to existing registered owners of a Focusrite interface too. James wanted to explore if it was possible to mix a track only only using the Red 2 & Red 3 plug-ins.

Edit This!: 'American Sniper'

February 4, 2015, 06:04 AM

http://postmagazine.com/Publications/Post-Magazine...

BURBANK, CA — Film editor Gary D. Roach has been working with director Clint Eastwood and fellow editor Joel Cox for 19 years. He began as an apprentice on 1997’s Absolute Power, and then became an assistant on Eastwood’s next show.

The Grand Budapest Hotel, editor Barney Pilling

February 3, 2015, 08:24 PM

https://www.aotg.com/the-grand-budapest-hotel-editor-barney-pilling/

He started in music, moved into British TV, and has edited such familiar movies as An Education and Never Let Me Go. His first film with Wes Anderson is The ...

Feb. 3's essential film writing

February 3, 2015, 08:24 PM

http://thedissolve.com/news/4671-feb-3s-essential-...

Read On is a regular feature in which The Dissolve’s staff recommends recent film pieces. Because there’s always someone writing something notable about the movies somewhere on the Internet.

Avid Customer Association Rewind: Our First Year A

February 3, 2015, 08:23 PM

http://www.avidblogs.com/avid-customer-association...

It’s always exciting to see something new take shape, and in 2014, I had a front row seat to watch the exciting developments of the Avid Customer Association. Take a look. The article Avid Customer Association Rewind: Our First Year Accomplishments by Jennifer Smith appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

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