It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 3, 2017, 05:31 PM
https://editstock.com/blogs/all/speedscriber-a-rev...
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July 3, 2017, 05:31 PM
http://www.studiodaily.com/2017/06/sounds-nightmar...
Mark Korven, the composer behind the deliciously creepy score for period supernatural drama The Witch, solos on The Apprehension Engine, a musical instrument crafted by guitar-maker Tony Duggan-Smith to scratch an especially spooky musical itch. The post Sounds of the Nightmare Machine appeared first on Studio Daily.
July 3, 2017, 05:31 PM
http://www.studiodaily.com/2017/06/editors-dean-zi...
Stranger Things, Matt and Ross Duffer’s intoxicating homage to supernatural thrillers from the 1980s, is a master class in pop-culture synthesis. Blending otherworldly elements from the best of Stephen King and Steven Spielberg’s kid-centric adventures with a creeping sense of R-rated bloodthirstiness straight out of The Thing and The Shining, the retro Netflix series feels […] The post Editors Dean Zimmerman and Kevin Ross on Stranger Things appeared first on Studio Daily.
July 3, 2017, 05:30 PM
http://www.studiodaily.com/2017/07/review-blackmag...
The look and feel of our images are critical to communicating the intended genre to our viewers. Deliberate overexposure, say, by blowing out windows and highlights, can contribute to a sci-fi ethereal look, while deliberate underexposure, by lowering the black level and deepening the shadows, can add serious drama to an otherwise flat, lackluster scene. […] The post Review: Blackmagic Design DaVinci Resolve Micro Panel appeared first on Studio Daily.
July 3, 2017, 05:30 PM
http://www.avidblogs.com/virtual-ndr-studio-in-kie...
The article Virtual NDR studio in Kiel — More Flexible Design with Avid by MEDIEN BULLETIN appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
July 3, 2017, 05:29 PM
http://www.avidblogs.com/whats-new-with-the-avid-c...
The article What’s New With the Avid Customer Association? by Maria Russo appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
July 3, 2017, 05:29 PM
http://lesterbanks.com/2017/07/understanding-basic...
Matrix math is an important bit to technical 3D work. If you are getting into rigging or looking to further your foray into the technical arts, you need to understand how to use Matrix Math. The Post Understanding the Basics of Matrix Math in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
July 3, 2017, 11:06 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Union (www.unionvfx.com) has added three new VFX supervisors to its team in order to support the studio’s growing number of film and television projects. James Etherington-Sparks and Mark Michaels are new to the studio, while James Roberts was promoted from within. Union added secondary space in 2016 and the new additions will allow the studio to increase its volume of work.
July 3, 2017, 11:06 AM
http://lesterbanks.com/2017/07/sketch-vehicles-fas...
Anton Tenitsky is a modeling mentor at CG Spectrum College of Digital Art & Animation. With this tutorial, Tenitsky shows how he uses techniques in 3D Coat to knock out and sketch vehicles fast. very fast The Post How to Sketch Vehicles Fast in 3D Coat originally appeared and published on %%BLOGLINK%,by lesterbanks
July 3, 2017, 11:05 AM
http://lesterbanks.com/2017/07/rigging-dock-maya-f...
Alex Mann is a 3D Rigging and Character Artist who regularly shares some of his workflow scripts. The most recent one is simply called Rigging Dock. It is a bunch of scripts and procedures that The Post Rigging Dock for Maya is a Free Script for Rigging Tasks originally appeared and published on %%BLOGLINK%,by lesterbanks
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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