It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 27, 2017, 07:13 AM
https://www.redsharknews.com/post/item/4691-six-ti...
Whether it's working with a couple of shots or hundreds, the key to successfully incorporating VFX work into projects lies in ruthless organisation. From naming conventions to working with dailies, Arthur Ditner offers some hard-won advice.
June 27, 2017, 07:12 AM
https://www.aotg.com/color-by-numbers-sofia-coppolas-pastels/
Color by Numbers: Sofia Coppola’s Pastels
June 27, 2017, 07:12 AM
In this Episode, Allan McKay interviews Philippe Leprince, Senior Field Engineer at Pixar Animation Studios. He currently works as an Engineer on the RenderMan Software. Philippe has a Lighting and CG background and has worked at Framestore and Double Negative, and many other big studios. Among his many credits are feature films like Harry Potter and the Prisoner of Azkaban (Framestore); The Dark Knight and Inception (Double Negative).
June 26, 2017, 01:55 PM
https://www.aotg.com/telemetrics-creates-experience-at-new-world-center/
Telemetrics Helps Create Ultimate Visual Experiences at the New World Center Upgraded Robotic Camera System Provides Intuitive Control and Error-free Coverage
#telemetricsJune 26, 2017, 12:53 PM
http://renderplease.com/post/162280764200
I’m like:
June 26, 2017, 12:53 PM
http://postperspective.com/behind-title-carbons-he...
NAME: Maria Carretero COMPANY: Carbon (@carbonvfx) CAN YOU DESCRIBE YOUR COMPANY? Carbon, which has locations in New York, Chicago and LA, is a boutique design and visual effects company that focuses on art, Continue reading → June 26, 2017 The post Behind the Title: Carbon’s head of color grading, Maria Carretero appeared first on Randi Altman's postPerspective.
June 26, 2017, 12:53 PM
http://www.studiodaily.com/2017/06/heres-avid-edit...
Avid has published the results from its first survey of the Avid Customer Association (ACA), which asked members to vote on their most critical needs in video editing, graphics design, media and content management, and more. Voting took place in two rounds, spanning a period from December 8, 2016, to March 10, 2017, and Avid […] The post Here’s What Avid Editors Really Want in Media Composer appeared first on Studio Daily.
June 26, 2017, 10:20 AM
https://www.aotg.com/acs-recognizes-paul-nichola-with-bob-miller-award/
Director, cinematographer and camera developer Paul Nichola was recently presented with the Bob Miller - ACS Technical & Innovation Achievement Award at the 46th 2017 Australian Cinematographers Society (ACS) National Awards for Cinematography.
#miller#miller camera supportJune 26, 2017, 09:14 AM
https://www.premiumbeat.com/blog/add-depth-paralla...
Learn how to design and animate a parallax effect inside After Effects.
June 26, 2017, 09:14 AM
http://www.studiodaily.com/2017/06/computational-v...
The move to nonlinear editors was a boon to efficiency in the cutting room, but how much more dramatically can computers speed up the editing process? Researchers from Stanford University and Adobe Research think they can eliminate a lot of the human grunt work, at least when it comes to editing simple dialogue scenes. In […] The post Computational Video Editing for Dialogue-Driven Scenes appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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