It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 24, 2019, 07:11 PM
https://www.artofvfx.com/carnival-row-betsy-paters...
Betsy Paterson has worked in visual effects for over 23 years. She worked on many films such as BABE: PIG IN THE CITY, SCOOBY-DOO, THE INCREDIBLE HULK, THE HUNGER GAMES and MARCO POLO.
September 24, 2019, 02:39 PM
https://www.aotg.com/rob-legato-uses-blackmagic-design-on-the-lion-king/
Blackmagic Design announced today that visual effects supervisor Rob Legato used a wide variety of Blackmagic Design products to create the virtual production environment for Disney’s “The Lion King.” The film, which was directed by Jon Favreau and features the voices of Donald Glover and Beyoncé Knowles-Carter, has earned nearly $1.5 billion worldwide since its July 19, 2019 opening.
#blackmagic design#teranex#davinci resolve studio#davinci resolve advanced panel#micro studio camera 4k#atem production studio 4k#smart videohubSeptember 24, 2019, 01:01 PM
https://www.provideocoalition.com/adam-savages-tes...
Adam Savage’s Tested VR is a FREE app that gives you a fantastic experience of what VR and VR180 can be, but it also served to test the VR180 camera rig assembled to shoot the 8 episodes. Inspired by Adam Savage’s Tested One Day Builds, Adam Savage’s Tested VR takes audiences on a journey inside... The post Adam Savage’s Tested VR: the production of a virtual journey for Oculus headsets appeared first on ProVideo Coalition.
September 21, 2019, 03:58 PM
https://www.premiumbeat.com/blog/text-effect-premi...
When you're getting into text effects and animations, workspace is important. Master your motion graphics workflow in Adobe Premiere Pro with these tips.
September 21, 2019, 03:57 PM
https://postperspective.com/martin-scorsese-to-rec...
The Visual Effects Society (VES) has named Martin Scorsese as the forthcoming recipient of the VES Lifetime Achievement Award in recognition of his valuable contributions to filmed entertainment. The award will be presented next year at the 18th Annual VES Awards at the Beverly Hilton Hotel. The VES Lifetime Achievement Award, Continue reading → September 19, 2019 The post Martin Scorsese to receive VES Lifetime Achievement Award appeared first on postPerspective.
September 20, 2019, 04:01 PM
https://www.motionpictures.org/2019/09/how-the-vfx...
How do you conceptualize a future that feels familiar yet doesn’t exist? For, visual effects supervisor Allen Maris and the entire crew detailing director James Gray’s vision behind Ad Astra, that question became a guiding theme.
September 20, 2019, 03:17 PM
https://www.aotg.com/red-giant-releases-better-call-saul-tutorial/
Seth Worley shows artists how to create a public access TV-inspired opening title sequence worthy of episodic television; hilarity ensues
#vfx#red giant#red giant vfx#better call saulSeptember 20, 2019, 01:10 PM
https://www.studiodaily.com/2019/09/martin-scorses...
The Visual Effects Society (VES) said it will give Martin Scorsese its VES Lifetime Achievement Award. The group said Scorsese will be recognized for “his consummate artistry, expansive storytelling and profound gift for blending iconic imagery and unforgettable narrative on an epic scale.” Among Scorsese’s VFX-heavy accomplishments are Hugo (2011), which won five Oscars including Best Achievement […] The post Martin Scorsese to Receive Visual Effects Society Lifetime Achievement ...
September 20, 2019, 01:10 PM
https://www.premiumbeat.com/blog/premiere-pro-free...
When you are trying to create a punchy, energetic sequence, fun transitions are the name of the game. When paired with the perfect track, a video that uses creative ways to jump from one clip to another is sure to engage a viewer way more than a boring, traditional cut.
September 19, 2019, 01:42 PM
https://www.redsharknews.com/production/item/6652-...
Performance capture is one of the fastest growing areas of film production, and is increasingly blurring the boundaries between what has traditionally been called CGI or SFX and real world, nuanced acting. We interviewed actor, director and producer Andy Serkis at IBC to gain his insights into this most fascinating area of film production and to find out where it's all heading. IBC2019Andy SerkisCGISFXMotion Capturelive performanceactingmocap
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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