It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 6, 2017, 09:15 AM
https://fxfactory.com/blog/after-effects/zoetrope-...
3D model video mapper and alpha transition system.
June 6, 2017, 09:15 AM
http://lesterbanks.com/2017/06/forging-rings-satur...
Tutorial Author Caleb Ward has been on a bit of a space imagery run. From showing how to create nebula scenes, to galaxy animations, and his new one, shows how you can create Saturn’s rings The Post Forging the Rings of Saturn With After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
June 6, 2017, 09:15 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Justice will be served, Joker.” — Batman ...
June 6, 2017, 09:14 AM
http://www.slashfilm.com/logan-vfx-breakdown/
Since Hugh Jackman doesn’t actually have claws that extend from and retract back into his hand, usually the creation of Wolverine’s signature adamantium claws in the X-Men franchise comes from the prop department. However, for the instances when Wolverine has to jam his claws into somebody, visual effects must be employed to make it look like the mutant has actually stabbed someone rather than just playing pretend.
June 6, 2017, 09:14 AM
https://fstoppers.com/vfx/debunked-viral-tape-meas...
Captain Disillusion is back again, and this time he's uncovering the various techniques used to create the famous “Tape Measure Tricks” video. How much of it is visual effects?
June 6, 2017, 08:30 AM
https://www.aotg.com/wohler-hires-sales-manager-for-india-middle-east/
Wohler Technologies, leading manufacturer of video, audio and data monitoring solutions, is pleased to announce it has named Kaunser Dar as Regional Sales Manager for India and the Middle East.
#wohlerJune 6, 2017, 05:38 AM
https://americancinemaeditors.org/animation-showca...
Both comedic and heartwarming, The Boss Baby, directed by Tom McGrath (Madagascar), follows seven-year-old Tim on an adventure with his
June 6, 2017, 05:38 AM
http://alex4d.com/notes/item/using-adjustment-laye...
Here’s an interesting use of my Alex4D Adjustment Layer to label scenes using different colours: Rough cut for doc @theriftwalk making use of @Alex4D's Adjustment Layer as coloured scene markers #timelinetuesday #FCPX pic.twitter.com/PDkLYdMn7K — Will Honeyball (@willhoneyball) June 6, 2017 Will uses the new coloured Roles features introduced in Final Cut Pro X 10.3. Download Alex4D Adjustment Layer from my old free Final Cut Pro X plugins site. More on assigning roles to clips a...
June 6, 2017, 05:37 AM
http://designingsound.org/2017/06/creative-sound-d...
Guest Post by: Vincenzo Bellanova INTRODUCTION: Creative recordings, unconventional objects, perfect spots, analogue gear or the perfect tools, are all important topics when approaching to sound design. But how can we completely morph sounds and be extremely creative inside the box? Do we always need a lot of tools to accomplish our goal? In this article […]
June 6, 2017, 05:37 AM
https://americancinemaeditors.org/john-travers/
On a rainy Sunday in January an exclusive group of friends and associates gathered at the historic Egyptian Theatre where
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.