To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FuseFX Provides VFX for John Ridley’s “America

June 5, 2017, 11:57 AM

http://www.broadcastbeat.com/fusefx-provides-vfx-f...

LOS ANGELES— The FuseFX Los Angeles crew recently provided visual effects services for two projects by Oscar-winning writer/producer/director John Ridley – the anthology series American Crime and the feature-length documentary Let It Fall, which aired April 28. The studio served as the sole visual effects provider for the third season of American Crime, which included ...

VR, Final Cut Pro X and Apple WWDC17

June 5, 2017, 11:57 AM

http://alex4d.com/notes/item/apple-wwdc17-hints

This week at their Worldwide Developer Conference in San Jose, Apple are making announcements about future products and services. They are also giving presentations for developers about macOS, iOS, tvOS and watchOS. Over the week I’m hoping to see updates relevant to VR and Final Cut Pro X at WWDC17. VR To mix reality (make it seem that graphics is interacting with the real world) it is useful to be able to record the distance of objects from the camera. This means graphics can be seen...

5 Video Production Blogs You Need to Read

June 5, 2017, 10:43 AM

https://blog.vidhub.co/5-favourite-video-productio...

One of our favourite things about the video production and post-production communities is how much people share and chat. We love reading (and sharing!) all the tips and tricks we come across on a daily basis from industry leaders and experts. Here’s some of our favourites.

#learning#post production#tools#video editing#blogs#video production#postchat#tips and tricks
Erik Kraber On The Sound Design Of Titanfall 2

June 5, 2017, 09:13 AM

http://designingsound.org/2017/06/erik-kraber-on-t...

Gameology recently published an interview with Audio Director Erik Kraber on the Sound Design of Titanfall2. You can read the full article here.

At Cine Gear, Panasonic shows 5.7K Super 35mm cine

June 5, 2017, 09:12 AM

http://postperspective.com/cine-gear-panasonic-sho...

During Cine Gear this past weekend, Panasonic previewed the AU-EVA1, a new 5.7K cinema camera positioned between the Panasonic Lumix GH5 4K mirrorless camera and the VariCam LT 4K cinema camera. Compact and lightweight, the AU-EVA1 is made for handheld shooting, but also suited for documentaries, commercials and music videos. Continue reading → June 5, 2017 The post At Cine Gear, Panasonic shows 5.7K Super 35mm cinema camera appeared first on Randi Altman's postPerspective.

Envoyé spatial

June 5, 2017, 09:12 AM

https://journaldunemonteuse.wordpress.com/2017/06/...

Retrouvez « Thomas Pesquet, l’envoyé spatial » – un film de Jurgen Hensen et Pierre-Emmanuel Legoff produit par la 25ème heure dont j’ai tenu le carnet de montage ici même.  Diffusion le 8 juin à 20h55 sur France 2.  Pour ceux qui … Lire la suite →

Red Giant PluralEyes is The Best Tool for Syncing

June 5, 2017, 09:12 AM

http://www.videoguys.com/blog/red-giant-pluraleyes...

In the video below, Plural Eyes Sync Audio in Premiere pro CC. Jourdan Aldredge from PremiumBeat wrote this great article on how you can sync audio in Premiere Pro. Streamline your audio sync workflow in Premiere Pro with PluralEyes. Syncing audio doesn’t need to be stressful. If you shoot DSLR, mirrorless, or on any mainstream camera Read More The post Red Giant PluralEyes is The Best Tool for Syncing Audio appeared first on Videoguys Blog.

Ghost in the Shell VFX Breakdown

June 5, 2017, 09:12 AM

http://www.cgmeetup.net/home/ghost-in-the-shell-vf...

Atomic Fiction – A breakdown of some of our team’s visual effects work on “Ghost in the Shell”. Special thanks to Rupert Sanders, Guillaume Rocheron, and our friends at Paramount and DreamWorks for the opportunity to contribute to these sequences.

Logan VFX Breakdown

June 5, 2017, 09:12 AM

http://www.cgmeetup.net/home/logan-vfx-breakdown/

Rising Sun Pictures – Reprising its role on The Wolverine, Rising Sun Pictures joined Director James Mangold’s team for Logan, the third and final installment in 20th Century Fox/Marvel’s “Wolverine” saga. Working under Production VFX Supervisor Chas Jarrett and Co-Producer Kurt Williams, RSP contributed some 230 shots to the dark, visceral tale, with the work ranging from animating the title character’s trademark claws to producing finely-detailed matte paintings of locations in Mex...

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