To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Week in Premiere 6/2/17

June 2, 2017, 01:51 PM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Premiere Pro Audio Workflow Guide: Part 1 • 5 Warp Transitions in Premiere Pro • 7 Tips for Working With Photos in Premiere Pro • 15 Music Video Effects in Premiere Pro

#adobe#premiere pro#tutorials#news#reviews
Premiere Pro Audio Workflow for Editors Part 1

June 2, 2017, 01:51 PM

http://www.premierebro.com/blog/premiere-pro-audio...

PART 1: LOUDNESS AUTO-MATCH, AUDIO GAIN, AND LOUDNESS RADAR. This Premiere Pro Audio Workflow Guide for Editors is a 2-part series that identifies "essential" audio tools in Premiere Pro, and shows how to use them in a real-world audio workflow. Part 1 focuses on how to use the Loudness Auto-Match button, Audio Gain, and the Loudness Radar to achieve a target loudness, particularly for the web. This series is modeled after the audio workflow of veteran editor and trainer, Paul Murphy, who shares

#audio#adobe#mixing#premiere pro#sound
EVENTO: Espacio temporal Blackmagic Design en Madr

June 2, 2017, 12:02 PM

http://www.finalcutpro.es/2017/06/evento-espacio-t...

Entre los días 13 y 15 de junio, Blackmagic Design abrirá en Madrid un espacio de demostraciones temporal, donde se podrá probar el nuevo DaVinci Resolve 14 junto a los nuevos panales Resolve Micro Panel y Mini Panel. También se podrá participar en alguno de los cursos de formación gratuitos. Estos talleres se realizarán dos veces al día, con una duración de [...] La entrada EVENTO: Espacio temporal Blackmagic Design en Madrid aparece primero en finalcutpro.es.

Transcript: Digital Production Buzz – June 1, 20

June 2, 2017, 12:01 PM

http://www.digitalproductionbuzz.com/2017/06/trans...

HOST Larry Jordan GUESTS John DeBevoise, Host, Bizness Soup Talk Radio Paul Rodriguez, Executive Board member/Vice President of Audio Services, Motion Picture Sound Editors(MPSE)/RoundAbout Jim Bask, Marketing Director, Videoguys.com Aasim Saied, Chairman and CEO, Akyumen Technologies Corporation Kaur Kallas, CEO, Digital Sputnik James DeRuvo, Film and Technology Reporter, DoddleNEWS == Larry Jordan: Tonight on the Buzz we are looking at ways to do things better. … The post Tra...

Make Jittery 360 Footage More Watchable With Mocha

June 2, 2017, 12:01 PM

http://lesterbanks.com/2017/06/stabilze-360-footag...

You can easily stabilize your VR footage using Imagineer Systems’ Mocha VR. Stabilizing footage can be a stylistic choice, purely for aesthetics. That is certainly true for the flat screens of monitors, televisions and devices. The Post Make Jittery 360 Footage More Watchable With Mocha VR originally appeared and published on %%BLOGLINK%,by lesterbanks

If You’re Not Watching Cult of Rig, You’re Mis

June 2, 2017, 09:30 AM

http://lesterbanks.com/2017/06/watching-cult-rig/

The other day I received a note from Eric Thivierge, who thought It would be good to shine some more light on Raffaele Fragapane’s Cult of Rig live streams. I agree! Raffaele Fragapane is currently The Post If You’re Not Watching Cult of Rig, You’re Missing Out originally appeared and published on %%BLOGLINK%,by lesterbanks

ALIEN COVENANT: Charley Henley - Prod VFX Supervis

June 2, 2017, 09:30 AM

http://www.artofvfx.com/alien-covenant-charley-hen...

In 2014, Charley Henley explained to us the work of MPC on 300: RISE OF AN EMPIRE. He then worked on CINDERELLA and THE JUNGLE BOOK. ALIEN: COVENANT marks his return to the Alien universe.

PDFviewer For Adobe Apps - Work With Scripts!

June 2, 2017, 07:38 AM

https://www.aotg.com/pdfviewer-for-adobe-apps-work-with-scripts/

PDFviewer for Adobe - New Bundle - CC2017 PDFviewer is now available for Adobe Audition, Adobe After Effects and Adobe Premiere Pro as a bundle!

Color Grading Footage in After Effects with Lumetr

June 2, 2017, 07:26 AM

https://www.premiumbeat.com/blog/color-correcting-...

Learn how to color correct your video with the new Lumetri Scopes in After Effects.

Ciclo de Cine Detrás del corte”

June 2, 2017, 07:26 AM

https://edaeditores.org/ciclo-de-cine-detras-del-c...

La Comisión de Formación de EDA se enorgullece en presentar el ciclo de cine Detrás del corte, dedicado a la divulgación de la obra de los montajistas mas reconocidos y destacados de la Argentina. En esta oportunidad el ciclo está dedicado a la editora y socia honoraria Marcela Saenz (SAE, EDA). Dicho evento está conformado por la […]

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