It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 25, 2017, 02:59 PM
http://lesterbanks.com/2017/05/easily-color-fragme...
The Maxon team have been pushing out some helpful quick tips pretty constantly over the last little while. They are great bite-sized bits of information that the newly minted C4D user can easily level up The Post How to Easily Color Fragments in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks
May 25, 2017, 02:59 PM
http://www.fcp.co/final-cut-pro/articles/1967-use-...
The 'Master of Metadata" Philip Hodgetts presented FindrCat and FindrCat Pro at the recent Faster Together event at NAB 2017. See how the applications can take metadata out of FCPX and into the finder.
May 25, 2017, 02:58 PM
http://www.artofvfx.com/guardians-of-the-galaxy-vo...
In October 2016, Jelmer Boskma told us about the work of Scanline VFX on MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN. He speaks to us today about his return to the Marvel universe.
May 25, 2017, 01:54 PM
http://www.premierebro.com/blog/working-with-works...
One of Premiere Pro's greatest strengths is it's fully customizable interface. It's important to understand the inner workings of workspaces if you want to work faster in Premiere Pro. This in-depth blog post will help editors understand how to manage Premiere Pro workspaces and troubleshoot unresponsive or missing workspaces.
#editing#adobe#premiere pro#creative cloud#workspacesMay 25, 2017, 10:01 AM
http://theangryvideoguy.com/index.php/2017/05/25/v...
Real Time UK completed the cinematic trailer work for Dreadnought, the combat simulator developed by Yager Development.
#vfx breakdown#videogames#vfx breakdowns#cinematics#dreadnought#real time ukMay 25, 2017, 07:58 AM
https://www.aotg.com/pliant-technologies-announces-france-distributor/
Pliant Technologies, the professional intercom division of CoachComm, has named Pilote Films as its new distributor in France.
#pliant technologiesMay 25, 2017, 03:42 AM
http://www.postmagazine.com/Post-Blog/2017/May/Rod...
Shotgun's development has always been driven by close collaboration with our customers. By diving into the field, we get a better handle on how Shotgun is being used and get to see firsthand the challenges that keep customers up at night. Through these interactions, we uncover new solutions and establish best practices, which often make it into future Shotgun releases to benefit our entire user community. We're passionate about production and truly understanding how to tackle t...
May 25, 2017, 03:41 AM
http://nofilmschool.com/2017/05/watch-how-get-best...
Today's cameras, even the ones in smartphones, are capable of recording high frame rates at pretty decent resolutions (at least 720p). What does this mean? Slow motion for pretty much everyone! However, a lot of entry level cameras only get as high as 60 fps, which is definitely slow(er) motion than the standard 24 fps and 30 fps, but it certainly doesn't produce that real buttery smooth, honey-like slow mo you typically see in today's videos.
May 24, 2017, 04:37 PM
http://www.studiodaily.com/2017/05/avere-systems-v...
Shortly after releasing its first storage appliances back in 2009, Avere Systems products caught on with visual effects facilities, who saw big benefits in placing the company’s high-performance storage tiers in between their existing storage architecture and the render farms that needed to quickly access large amounts of data. Avere’s FXT filers provided easy scalability for […] The post How Avere Systems Helps VFX Scale Up Render Farms on Premise and in the Cloud appeared first on ...
May 24, 2017, 02:21 PM
https://www.youtube.com/watch?v=A-1-0ipLEwk
Promise was at NAB with a number of solutions, including one for Thunderbolt 3 and Flash storage.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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