It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 22, 2017, 03:42 AM
http://www.audiomediainternational.com/show-news/a...
Nugen Audio is previewing a significant technological update for its award-winning Halo Upmix plugin at AES Berlin.
May 22, 2017, 03:42 AM
http://nofilmschool.com/2017/05/how-edit-film-scor...
In most cases, indie filmmakers don't have the budget to hire someone to score their films. This means that you miss out on the benefit of having a score specifically designed to match what's going on up on screen, so you will have to figure out a way to do it with a piece of music that already exists. Though this is challenging, Kris Truini gives you a few helpful tips on how to pull it off, even if you don't have much experience working with music, scores, and soundtracks.
May 22, 2017, 03:42 AM
https://www.digitaltrends.com/computing/final-cut-...
There are many polarizing debates in the world of technology and video editing, and software is no exception. Final Cut Pro X and Adobe Premiere Pro are some of the most popular tools for the job and therefore both have their diehard fans. But if you want to make an objective decision about which to use yourself, what are some factors you should consider?
May 21, 2017, 02:23 PM
http://www.hollywoodreporter.com/behind-screen/ali...
As Ridley Scott’s Alien: Covenant from Fox debuted to $36 million at the North American box office, the film’s visual effects supervisor Charley Henley of lead VFX house MPC says his first meeting with the director was "fairly overwhelming, he has a lot of art and you could see the scale of the film.
May 21, 2017, 02:23 PM
http://www.skwigly.co.uk/events/event/vfx-animatio...
Dive into the world of VFX and animation as we take you into the minds of our experienced panellists, including Alex Donne-Johnson, Creative Director at motion design studio Dazzle Ship, responsible for creating video for branding, broadcast, online and installations and Pete Allinson, Head of Design at multi-award winning broadcaster UKTV, the home of TV channels such as Dave and GOLD.
May 21, 2017, 05:29 AM
https://www.themarysue.com/women-in-visual-effects...
In 1989, I was a young feminist who wanted to be a filmmaker. While there weren’t many women in this fairly “boys club” field, Academy Award winner Ed Jones hired me in Optical because he knew I could do the job. Approximately 25 people worked in the ILM optical department. The few women in this department – Peg Hunter, Lori Nelson, Mary Walter, and me – were effects pioneers in a male world.
May 21, 2017, 05:18 AM
http://www.broadcastbeat.com/unified-storage-simpl...
2017 BroadcastAsia Submission by Tom McDonald, Technical Marketing Quantum Virtual reality (VR) 360° video is creating new film, television and gaming experiences that enable audiences to control where their attention is focused. This is arguably the most significant change in the audience viewing experience since the advent of film. Changing a 100-year-old paradigm is not ...
May 20, 2017, 01:00 PM
http://lesterbanks.com/2017/05/get-know-arnold-5s-...
Arnold 5 debuted with a bunch of new shaders. One of them is a new Standard Surface shader, which replaces the older AiStandard. Also of note is a new Mix Shader, for creating multi-layered or The Post Get to Know Arnold 5’s New Mix Shader originally appeared and published on %%BLOGLINK%,by lesterbanks
May 20, 2017, 04:58 AM
http://www.avidblogs.com/avid-pro-tools-s6-offers-...
The article Avid Pro Tools | S6 Offers More Flexibility, Focus and Faders for Park Studio by Avid appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
May 20, 2017, 04:57 AM
http://www.cgmeetup.net/home/the-shallows-vfx-brea...
Benuts VFX presents The Shallows VFX Breakdown.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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