It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 23, 2015, 05:19 AM
http://www.fcp.co/hardware-and-software/pro/1590-a...
On the same day both AJA and Blackmagic Design published new drivers for their video I/O devices. Just a tweak for BMD, but a new unified driver across products for AJA.
January 22, 2015, 06:06 AM
http://bsandrew.blogspot.ca/2015/01/how-colorizati...
A perspective few understood regarding the colorization of black and white classic feature films. The critics of colorization never realized they were contributing to the deterioration and inevitable loss of much of our black and white American film heritage. Barry Sandrew, Ph.D.
January 21, 2015, 10:41 AM
http://www.fcp.co/final-cut-pro/news/1585-budget-l...
Rocket Rooster has released two budget packs of LUTs or 'Look Up Tables' that when applied to footage produce cinema style colour grades. Both are under $15.
January 20, 2015, 08:23 PM
http://nycppnews.com/technicolor-buys-premise-comp...
Technicolor-PostWorks New York announced that it has acquired The Room, the on-premise finishing studio that has been in-house for the past three years.
January 20, 2015, 08:22 PM
http://bmcc.tv/4k-cinemadng-raw-color-grading-test...
In this movie I’m going to share some footage and lessons that I learned while testing the Blackmagic Production Camera 4K, shooting RAW Cinema DNG.
January 20, 2015, 10:54 AM
http://www.studiodaily.com/2015/01/technicolor-pos...
Technicolor-PostWorks New York said it has acquired The Room, the downtown Manhattan finishing boutique that colocated with Technicolor-PostWorks in the West Village three years ago. The Room's founder, Ben Murray, will become VP, Creative Services, for Technicolor-PostWorks. "Ben will be our creative … more » The post Technicolor-PostWorks NY Buys The Room appeared first on Studio Daily.
January 20, 2015, 06:01 AM
http://www.redsharknews.com/post/item/2307-grading...
The colour grading process on the Ridley Scott's epic Exodus: Gods and Kings may be instructive for those looking to tackle a project that will be exhibited in 2D and stereoscopic 3D. Colour Gradingstereoscopic3DExodus: Gods and KingsDa Vinci ResolveResolveStephen NakamuraRidley ScottDariusz WolskiBlackmagic Design
January 19, 2015, 05:30 PM
http://nonlinearpost.com/davinci-resolve-performan...
DaVinci Resolve performance improvement in 3 steps As a TV and film editor, I knew I hadn’t truly lived until I discovered the creative benefits of color grading. Not everyone who chooses to become an editor dares to dive into this aspect of editing. However, with all the expensive hardware and software available to do this task, the easiest one to get started with today is DaVinci Resolve. But DaVinci Resolve performance can suffer once this free (lite version) software is […] The pos...
January 19, 2015, 10:22 AM
https://www.aotg.com/building-an-effective-color-managed-workflow/
Everyone has different needs when it comes to image processing. Whether your final output is a website, a digital c-print or an inkjet print tailoring your workflow is essential to insuring the quality of your work. In this class X-Rite’s Jeff Lazell uses his decade of experience as a production manager in NYC premier wedding and portrait studio to help you build an effective, color managed post-production workflow.
January 19, 2015, 06:01 AM
https://www.aotg.com/koji-and-impulz-luts-for-bmpcc/
In this video I tested the new Koji Luts and some negative Impulz. The video was shot on BMPCC (Blackmagic…
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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