It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 10, 2017, 12:58 PM
http://lesterbanks.com/2017/05/can-drive-mash-attr...
Maya’s motion graphics toolkit sees as much integration as anything else in Maya. You can mix and match MASH with any other tools that are available, from joints to soft bodies, to fluids. In fact, The Post You Can Drive MASH Attributes With Fluids originally appeared and published on %%BLOGLINK%,by lesterbanks
May 10, 2017, 12:58 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Danny, some shit you just can't punch.” — Claire Temple ...
May 10, 2017, 12:58 PM
http://www.animationinsider.com/2017/05/rts-future...
Dive into the world of VFX and animation as we take you into the minds of our experienced panelists, including Alex Donne-Johnson, Creative Director at motion design studio Dazzle Ship, responsible for creating video for branding, broadcast, online and installations and Pete Allinson, Head of Design at multi-award winning broadcaster UKTV, the home of TV channels such as Dave and GOLD.
May 10, 2017, 12:58 PM
http://www.creativefieldrecording.com/2017/05/10/2...
Last week I saw an interesting conversation appear on Facebook. Field recordist and sound designer Charles Maynes created a post in the Independent Sound Effects group to discuss establishing a standard for audio levels in sound effect libraries. It’s a valuable idea. In fact, I’ve received a handful of messages from readers about this in the last three months alone.
May 10, 2017, 12:24 PM
http://theangryvideoguy.com/index.php/2017/05/10/p...
Introduced in the latest CC 2017 update, The Essential Sound Panel attempts to reap time savings for the editor by allowing you stay within the NLE, and utilizes new machine learning tech to assist. The workflow begins with identifying and assigning what each clip type is, such as dialogue, music, or sfx. Premiere will show appropriate tools and filters common to that category of audio.
#adobe#tutorials#tutorial#adobe premiere#audio productionMay 10, 2017, 09:18 AM
https://www.premiumbeat.com/blog/video-tutorial-cr...
Improve your swipe transitions by animating a still image in Adobe Premiere Pro.
May 10, 2017, 09:17 AM
http://lesterbanks.com/2017/05/ae-get-back-prores-...
AfterCodecs is a new native exporter for After Effects that allows you to render out ProRes directly from the After Effects render queue. If you are missing ProRes support on Windows systems, this is going The Post After Effects Users Get Back ProRes, H264 on Windows originally appeared and published on %%BLOGLINK%,by lesterbanks
May 10, 2017, 09:17 AM
https://edaeditores.org/19-bafici-clase-magistral-...
El realizador italiano Nanni Moretti visitó la 19ª edición del BAFICI que incluye una retrospectiva de toda su filmografía y la presentación del libro Ecce Nanni: El testigo crítico“. Además, el pasado 20 de Abril ofreció una clase magistral en la que aprovechó para contar cómo trabaja el montaje de sus películas: La relación entre […]
May 10, 2017, 09:17 AM
https://edaeditores.org/19-bafici-encuentro-con-st...
Stéphane Brizé, director francés, estuvo en Buenos Aires para acompañar la retrospectiva que le dedica la 19ª edición del BAFICI. Durante su visita por Argentina ofreció el pasado 23 de Abril una charla dentro del marco del festival, en la que le preguntaron sobre su relación con el montaje: Yo estoy siempre presente en los […]
May 10, 2017, 09:17 AM
http://www.videoguys.com/blog/sportstech-nab-avids...
A lot of exciting news from Avid has been announced since NAB 2017. Ken Kerschbaumer has the latest news with SVG’s interview with Avid CEO Louis Hernandez Jr. So what was the big news for Avid this year at the NAB Show? The big thing this year is the culmination of four years’ worth of Read More The post SportsTech at NAB: Avid’s Louis Hernandez Jr. on the Company’s New ‘Global Ecosystem’ appeared first on Videoguys Blog.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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