To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Pixar Regularized Kelvinlets: Sculpting Brushes Ba

May 10, 2017, 05:00 AM

http://www.cgmeetup.net/home/pixar-regularized-kel...

We introduce a new technique for real-time physically based volume sculpting of virtual elastic materials. Our formulation is based on the elastic response to localized force distributions associated with common modeling primitives such as grab, scale, twist, and pinch.

Best new sound equipment at Nab 2017

May 10, 2017, 05:00 AM

https://soundandpicture.com/2017/05/nab-2017-best-...

Every year, more than 100,000 attendees—comprised of camera operators, sound mixers, directors, producers, hardware developers, and everyone in between—visit Las Vegas, Nevada for one of the most anticipated technological events of the year. These often overly enthusiastic attendees, along with over 1,800 exhibitors from companies across the world, attend the National Association of Broadcasters Show to see the most innovative and groundbreaking products coming to the market. The 2017 NAB Sh...

How NAB 2017 is Changing Post-Production

May 9, 2017, 05:12 PM

http://www.videoguys.com/blog/nab-2017-changing-po...

The staff, at No Film School and  created a great guide to the changes in post production reflecting the new technologies release at NAB 2017.   In-Depth with Blackmagic DaVinci Resolve 14 at NAB 2017 These new programs are going to make your life a heck of a lot easier. No Film School  pumped out 85 Read More The post How NAB 2017 is Changing Post-Production appeared first on Videoguys Blog.

NAB 1998 in Retrospect

May 9, 2017, 05:12 PM

http://www.philiphodgetts.com/2017/05/nab-1998-in-...

NAB 1998 was my first. This week I rediscovered my 'review'. It's interesting to see what's changed, and what has not.

Chris Wade - Interviews

May 9, 2017, 05:12 PM

https://soundblab.com/interviews/18037-chris-wade

Imagine Ingmar Bergman’s Wild Strawberries remade by David Lynch and you’ll be in a better mindset to immerse yourself within the debut film from author, musician, and filmmaker Chris Wade, perhaps best known around these parts as the guiding light behind the prolific Dodson and Fogg project. We chatted with Chris to get a handle on what encouraged him to reach out beyond his comfort zone in the recording studio to tackle the silver screen.

New book draws advice from leading editors

May 9, 2017, 12:37 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — "Art of the Cut: Conversations with Film and TV editors” is a new book by author/editor Steve Hullfish. As a feature film and TV editor, Hullfish’s credits include Courageous, War Room, Champion,  The Reliant and the theatrically-released feature documentary,  Clinton Inc. He also worked on The Oprah Winfrey Show for a decade.

Avid Media Composer with the Symphony: Remove and

May 9, 2017, 12:36 PM

http://www.videoguys.com/blog/avid-media-composer-...

Bri Kelley, from Avid and Red Arrow Industries narrates a great tutorial on color correction with Media Composer with Symphony. The Symphony option in Avid Media Composer has made color correction easier to use and manipulate.  Knowing how to use it to your advantage will help save time and so, ultimately, money. That will make Read More The post Avid Media Composer with the Symphony: Remove and Merge Color Correction appeared first on Videoguys Blog.

Easy Set Dressing With the Placer Node and Arnold

May 9, 2017, 12:36 PM

http://lesterbanks.com/2017/05/set-dressing-placer...

Maya 2017 Update 3 added the World Node and Placer node to Maya’s motion graphics toolkit. The placer node allows you to add elements to the surface of an object by clicking or brushing them The Post Easy Set Dressing With the Placer Node and Arnold Stand-Ins originally appeared and published on %%BLOGLINK%,by lesterbanks

No Post-Process Cel Shaded Rendering in Redshift

May 9, 2017, 12:35 PM

http://lesterbanks.com/2017/05/cel-shaded-renderin...

Having a photorealistic GPU renderer such as Redshift doesn’t mean that you are only bound to create photorealistic images and animations. Non-photorealistic (npr) stuff is still possible. Ideally, creating a cel shader that will give The Post No Post-Process Cel Shaded Rendering in Redshift originally appeared and published on %%BLOGLINK%,by lesterbanks

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