It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 14, 2017, 09:06 AM
http://www.artofvfx.com/the-one-making-of-by-macro...
Here is the making of by Korean studio Macrograph about their VFX work on THE ONE...
July 14, 2017, 09:06 AM
http://collider.com/wonder-woman-impact-hollywood/
Last year, we heard a bit about “The Deadpool Effect” following the surprise success of the R-rated superhero movie. The film’s success likely made Fox more bullish on the prospects for Logan, and producers started being asked more often if they would pursue R-rated superhero projects now that Deadpool showed you could have a hit superhero movie without a PG-13 rating. There were fresh developments on Lobo, an R-rated “Ultimate Version” of Batman v Superman: Dawn of Justice, and it loo...
July 14, 2017, 05:36 AM
http://www.cgchannel.com/2017/07/next-limit-unveil...
Next Limit has announced RealFlow | Cinema 4D 2.0, the latest version of its fluid simulation software for Cinema 4D, adding support for granular, viscous and viscoelastic materials, and interacting fluids.
July 14, 2017, 05:36 AM
http://www.artofvfx.com/the-odyssey-making-of-by-m...
Mikros Image presents their invisible work on THE ODYSSEY...
July 13, 2017, 05:32 PM
https://katiehinsen.com/2017/07/13/the-hydrogen-on...
Red Digital Cinema just announced the Hydrogen One: a $1,600 Holographic Android Phone. We’ve heard plenty from both fanboys and skeptics, while bloggers ruminate on the technical specs. Katie & Pliny have both been outspoken on RED’s influence on the industry, so they decided to put their combined nickel into the discussion.
#red#tech#hydrogenJuly 13, 2017, 09:29 AM
http://www.cgchannel.com/2017/07/lucasfilm-and-ilm...
Lucasfilm and Industrial Light & Magic have open-sourced MaterialX, a new standard for exchanging rich material content between DCC applications used on Rogue One: A Star Wars Story.
July 13, 2017, 09:29 AM
http://www.artofvfx.com/pirates-of-the-caribbean-d...
In 2012, Gary Brozenich explained to us about the work of MPC on WRATH OF THE TITANS. He then took care of the visual effects on THE LONE RANGER, EDGE OF TOMORROW and TERMINATOR GENISYS. Now he is back into the world of PIRATES OF THE CARIBBEAN.
July 12, 2017, 05:28 PM
http://nofilmschool.com/2017/07/vfx-okja-erik-jan-...
Not even the most reluctant animal-lover can watch Okja without feeling an emotional attachment to the creature at the heart of the movie. Bong Joon-Ho's Netflix film has much the same effect as Babe; even though Okja is a genetically-modified super-pig raised in order to end up on a meat farm, you can't help but come to see Okja as a beloved sentient being that deserves a chance to live its life.
July 12, 2017, 10:19 AM
http://theangryvideoguy.com/index.php/2017/07/12/v...
This spot created by Sydney agency BWM Dentsu and VFX house Alt.VFX was made to celebrate the launch of the Toyota C-HR. The futuristic spot shows off the stylish design of the car along with some slick VFX work and lighting.
#vfx breakdown#vfx breakdowns#toyotaJuly 12, 2017, 06:25 AM
https://vfxserbia.com/2017/07/12/lucasfilm-and-ind...
Lucasfilm and Industrial Light & Magic (ILM) announced the inaugural Open Source release of the MaterialX Library for computer graphics. MaterialX is an open standard developed by Lucasfilm’s Advanced Development Group and ILM engineers to facilitate the transfer of rich materials and look-development content between applications and renderers.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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