It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 4, 2017, 12:15 PM
http://blogs.adobe.com/creativecloud/after-effects...
Earlier this month we released version 14.2 of After Effects CC, which added many often-requested features as well as an exciting new workflow for sharing motion graphics. In this article, we’re sharing more detail about about bug fixes in this release, as well as a few smaller changes to how After Effects works. Please, if you want to ask questions about these new and changed features, come on over to the After Effects Forums. That’s the best place for questions. Questions left in co...
May 4, 2017, 09:12 AM
http://www.finalcutpro.es/2017/05/video-14-detalle...
Como marca la tradición, Blackmagic Design presentó el pasado NAB SHOW 2017 la nueva versión de DaVinci Resolve. El programa tiene novedades importantes en el terreno de la edición, el sonido, el color y los efectos, pero en este vídeo nos centraremos en 14 detalles que nos harán más cómodo y útil el uso de [...] La entrada VÍDEO: 14 detalles que molan de DaVinci Resolve 14 aparece primero en finalcutpro.es.
May 4, 2017, 09:12 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Creative editors Lisa Mogol, Cindy Nielsen, Christopher Pensiero and Bryan Wetzel have all joined the commercial roster of Bikini Edit (http://bikiniedit.com), here. Bikini Edit was founded in 1990 by Avi Oron in 1990. In 2016, the studio launched the Site 57 gallery program (http://site57gallery.com), creating public showing opportunities for a diverse range of artists while enhancing Bikini Edit's environment for creative work.
May 4, 2017, 09:11 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Full-service production and post production facility Harbor Picture Company (www.harborpicturecompany.com) has signed industry veteran Tony Volante as supervising sound editor & re-recording mixer. Volante brings more than 20 years of sound editing and mixing experience in both film and television to Harbor’s sound post team.
May 4, 2017, 09:11 AM
https://www.premiumbeat.com/blog/essential-film-vi...
An effective set starts with the right language. Learn these industry terms to maximize your shoots.
May 4, 2017, 09:11 AM
http://lesterbanks.com/2017/05/multiverse-studio-a...
J Cube Inc. is the R&D Company of Polygon Pictures, who recently have released a new version of Multiverse Studio 4, including a free trail version for the firs time. Multiverse is an IO Management The Post Multiverse Studio 4 Adds Alembic, USD and MaterialX Support originally appeared and published on %%BLOGLINK%,by lesterbanks
May 4, 2017, 09:11 AM
http://saeditores.org/Novedades/Cuarta-Asamblea-Or...
El pasado 29 de abril se realizó la cuarta Asamblea Ordinaria de la SAE en la sede de SICA-APMA. Por unanimidad, la Asamblea resolvió designar a los nuevos miembros titulares del Consejo Directivo y la Comisión Revisora de Cuentas para el período 2017-2019...
May 4, 2017, 09:10 AM
http://www.hollywoodreporter.com/behind-screen/fmx...
Making sure that Europe’s visa policy, in the wake of Brexit, continues to ensure that EU artists can work in the U.K., is top priority for Neil Hatton, CEO of the U.K. Screen Alliance, which represents the interests of film and TV studios, postproduction, visual effects and animation.
May 4, 2017, 09:10 AM
http://www.hollywoodreporter.com/behind-screen/mil...
Receiving applause, Will Cohen, co-founder and exec producer at U.K.-based visual effects house Milk, asserted Thursday that “It’s up to us to further the roles of women in the VFX industry. We owe it to ourselves to make a difference.”
May 4, 2017, 07:45 AM
http://theangryvideoguy.com/index.php/2017/05/04/i...
Dedicated plugins can help give video footage a naturally sharper look via edge detection algorithms, local contrast selections, and masking that sharpens only exposure that falls in the middle of the histogram. First I look at what shapening is, and Part II of this writeup will compare a few of these plugins on some 4K+ footage.
#articles#samurai sharpen#sharpening#unsharp mask
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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