To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

MovieMaker's Fall 2014 Issue: Now On Stands!

November 25, 2014, 10:02 PM

http://www.moviemaker.com/archives/news/moviemaker...

MovieMaker Magazine's 111th issue, Fall 2014, hits newsstands around the U.S. and Canada today. The issue is also available for digital download via iTunes and Pocketmags, accessible on all mobile devices.

Quicktips: Understanding The 180 Degree Rule!

November 25, 2014, 10:01 PM

https://www.aotg.com/quicktips-understanding-the-180-degree-rule/

Today, we break down the 180 degree rule! Like, Favorite and SHARE today's episode!

FILM VIDEO ESSAY Drew Morton’s Cross-Cut

November 25, 2014, 03:58 PM

https://adferoafferro.wordpress.com/2014/11/25/fil...

Antonioni’s BLOW-UP, Francis Ford Coppola’s THE CONVERSATION, and Brian DePalma’s BLOW OUT with this video essay entitled “Cross-Cut.” Note: This video essay originally began as a more theoretical project. The other drafts have been posted to Vimeo for the sake of pedagogy.

Cindy Mollo, ACE discusses her work on an extremel

November 25, 2014, 03:58 PM

http://www.youtube.com/watch?v=qQ9DnR6ehAE&feature...

Cindy Mollo, ACE discusses her work on an extremely intricate scene from Netflix's "House of Cards." Manhattan Edit Workshop presents: Sight, Sound & Story - Cindy Mollo, ACE on "House of Cards." From Sight, Sound & Story - June 14th, 2014. Cindy Mollo, ACE,... From: Manhattan Edit Workshop Views: 57 0 ratings Time: 03:13 More in Education

Digital Production Buzz – November 27, 2014

November 25, 2014, 03:58 PM

http://www.digitalproductionbuzz.com/2014/11/digit...

On the Digital Production Buzz, Larry Jordan and Michael Horton talk with guests David Colantuoni, Ned Soltz, and Robert Neivert: News and Insight from Avid Drones and Other Great Camera Accessories Net Neutrality, Individual Privacy and the Web

De Final Cut Pro X a After Effects y Nuke

November 25, 2014, 03:58 PM

http://finalcutargentina.blogspot.com/2014/11/de-f...

Uno de los tantos mitos que hay sobre Final Cut Pro X es que se lleva mal con otras aplicaciones y que está aislado del mundo. Nada más lejos de la realidad. Final Cut Pro X posee un poderosísimo lenguaje XML que permite que distintos desarrolladores hagan "módulos" que resuelvan tareas específicas. Gracias a esto encontramos utilidades para sincronizar jornadas completas de sonido con una o múltiples cámaras en cuestión de minutos, herramientas para generar reportes para postprodu...

[Frame of Reference] with Editor Bryan Capri

November 25, 2014, 03:57 PM

http://twainthestoryteller.com/frame-of-reference-...

Bryan Capri is an award winning film editor and occasional visual effects artist and colorist from the wintery depths of Southern New England. He works mainly in scripted narrative, having cut more than a few features and tons of shorts. Among many others, he edited “Dark Haul” (a SyFy Original Movie starring Tom Sizemore). He […]

Production & Post Production Forum 2014: No Laughi

November 25, 2014, 03:57 PM

http://www.avidblogs.com/production-and-post-produ...

The article Production & Post Production Forum 2014: No Laughing Matter—Editing with Paul Machliss by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

QNAP TS-253 Pro Review

November 25, 2014, 03:56 PM

http://www.storagereview.com/qnap_ts253_pro_review

The QNAP TS-253 Pro is a two-bay NAS optimized for small offices, workgroups and enthusiasts. It is a feature-intensive system that provides transfer speeds of up to 415MB/s, DDR3L RAM of up to 8GB (with upgrade), military-grade AES 256-bit encryption technology (70MB/s), video transcoding, third-party application compatibility, and virtualization.

La SAE entregará el *Premio al Mejor Montaje* en

November 25, 2014, 12:39 PM

http://saeditores.org/Novedades/La-SAE-entregara-e...

En el 29º Festival Internacional de Cine de Mar del Plata que se lleva a cabo entre el 22 y el 30 de noviembre en dicha ciudad balnearia, la SAE entregará el Premio al Mejor Montaje de Película Argentina en Competencia. El jurado, integrado por Enrique Angeleri (SAE), Alejandro Brodersohn (SAE) y Alberto Ponce (SAE), elegirá al ganador entre los largometrajes argentinos participantes de las Competencias Internacional, Latinoamericana y Argentina...

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