To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
ActionVFX's New Stock Effects Library Will Blow Yo
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ActionVFX was founded by frustrated filmmakers who noticed that the same explosion effects were being used in film after film after film. There was truly a lack of diversity in the VFX Stock Footage market, so the creators set out to make a change.
“Time After Time” VR Experience VFX Breakdown
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Pebble Studios uploaded a feature of their work done to promote the series Time After Time which chronicles a young H.G. Wells and his time machine. Pebble was tasked with creating a VR 360 experience as part of the marketing campaign.
#vr#360 video#vfx breakdownEditing Audio with the Essential Sound Panel in Ad
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Semaine 6 – A1, A2, A3, A4… montage son
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Cette semaine je monte en-dessous de la piste V1. D’abord parce que c’est le temps du commentaire… placement de la voix, du texte, du off, des mots sur les images. Exercice périlleux, qui se cherche lui aussi. Le bon ton, … Lire la suite →
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Parade of Eddie Nominees
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Blackmagic Design DaVinci Resolve Panels
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I started my editing career in the era of linear editing suites, where dedicated control panels ruled. CMX keyboards, Grass Valley switchers, ADOs – you name it. These enabled operational speed and experienced editors could drive these rooms like a virtuoso pianist. Much of that dexterity has been lost, thanks to the ubiquity of software-based […]
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Dave De Carlo’s visual effects expertise is just as impressive as his editorial skills. When the creative for Bud Light Radler dictated the need for an on-set visual effects supervisor, Dave De Carlo provided the perfect combination of technical VFX and creative storytelling for Anomaly and client Bud Light. Client: Bud Light Radler Name of Commercial: […]
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When it comes to examining a show like Saturday Night Live, it’s easy to only pay attention to the comedy and performances. After all, people watch the staple late night sketch series for laughs. But because the show is live where anything can happen, that makes the technical achievements behind the scenes even more impressive.
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