To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Compatibilidad de Davinci Resolve con diferentes

December 4, 2014, 12:52 PM

http://feedproxy.google.com/~r/norendercom/~3/1raR...

Sois muchos los que nos habéis preguntado dudas acerca de la compatibilidad de Davinci Resolve […]

Log LUTs vs. 709 LUTs - What's The Difference?

December 3, 2014, 07:42 PM

https://www.aotg.com/log-luts-vs-709-luts-whats-the-difference-2/

This short tutorial explains the difference between a Rec.709 LUT and a Log LUT and when to use each one. V - LUTS for Blackmagic and More...

Kevin Shaw on advanced color grading at ICA

December 3, 2014, 01:00 PM

https://www.aotg.com/kevin-shaw-on-advanced-color-grading-at-ica/

In this episode of Color Talk we dig in deep with Kevin Shaw, Instructor from the International Colorist Academy, about his new class - Advanced Color Gradin...

Eliminating Banding and Color Shift Issues in Your

December 2, 2014, 03:42 PM

http://provideocoalition.com/news/story/eliminatin...

Compression Preview, announced today by ZERO VFX, is the company's first new software plug-in for the post production marketplace. It enables After Effects artists to preview sequences prior to rendering, check for unwanted artifacts, banding and color shifts and make tweaks and changes to...

How to Grade S-Log2 in Adobe Speedgrade

December 2, 2014, 12:43 PM

https://www.aotg.com/how-to-grade-s-log2-in-adobe-speedgrade/

This is a complete walkthrough of my color grading process of S-Log2 material originating from the Sony A7s, in Adobe Speedgrade. Topics covered...

Ray Dynamic Color Beginner Tutorial

December 2, 2014, 07:41 AM

https://www.aotg.com/ray-dynamic-color-beginner-tutorial/

Imagine if all elements that share the same color reference from one main color source. This would give us many option...

Ray Dynamic Color Links Layers to a Unified Color

December 1, 2014, 12:34 PM

http://lesterbanks.com/2014/12/ray-dynamic-color-l...

Ray Dynamic Color for after effects will dynamically link layers to a unified color panel, making it easy to change & try out new colors on multiple layers.

WHAT COLOUR IS THAT TEMPERATURE?

November 28, 2014, 07:47 AM

http://videoandfilmmaker.com/wp/index.php/tutorial...

Why does the colour of light get cooler as the colour temperature increases? If Lee 201 Full CT Blue converts 3200K tungsten light to 5700K daylight, why do two layers of 201 (or one layer of Lee 200 Double CT Blue) convert the same 3200K light to 26,000K? Is it actually possible to predict the outcome of combining correction filters?

Blockbuster LUTs for Video Editors and Colorists

November 27, 2014, 03:33 PM

http://www.premiumbeat.com/blog/blockbuster-luts-v...

Instantly give your video projects a Hollywood look with LUTs for your video editing or color grading application. The post Blockbuster LUTs for Video Editors and Colorists appeared first on The Beat: A Blog by PremiumBeat.

Use Blend Modes for Over Exposed Video

November 27, 2014, 03:33 PM

http://www.lynda.com/articles/blend-modes-overexpo...

Simply put, they allow you to combine multiple opaque layers and assign each layer a degree of transparency, which results in various types of blending. This lets you composite images, shapes, text, and other elements to build worlds of creativity—and are a common tool in programs like Photoshop and After Effects.

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