To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Animation Revisited: The Frog, The Dog, and The De

April 13, 2017, 07:40 AM

http://www.awn.com/animationworld/keep-it-motion-c...

Every Thursday, Chris Robinson takes a look at films from animation’s past. This week he screens a golden oldie from 1986, The Frog, The Dog, and The Devil.

Are you excited about VR?

April 13, 2017, 07:40 AM

http://www.creativebloq.com/features/are-you-excit...

Is VR really the next big thing, or is it just the latest fad? We ask design experts for their thoughts.

Guardians of Night VFX Breakdown

April 13, 2017, 07:40 AM

http://www.cgmeetup.net/home/guardians-of-night-vf...

Umbrella presents Guardians of Night VFX Breakdown.

Digital Production Buzz- April 12, 2017

April 13, 2017, 05:09 AM

http://www.digitalproductionbuzz.com/2017/04/54208...

Join host Larry Jordan as he talks with Stephen Nakamura, Duncan Russell, Brad Malcolm, Jordan Snider, Alexis Van Hurkman, and James DeRuvo. The Process of Color Grading Filming with HDR in Mind The Basics of Color Grading What Makes a Picture “Perfect?” Correcting Color On Set The Weekly DoddleNEWS Update View Show Transcript Listen to the Full Episode Check back after the show for the full audio! … The post Digital Production Buzz- April 12, 2017 appeared fir...

Wisconsin Film Festival: Cutting to the chase, and

April 13, 2017, 05:08 AM

http://www.davidbordwell.net/blog/2017/04/13/wisco...

Nocturama (2016). DB here: Despite my recent jab at D. W. Griffith, I gladly give him credit for making crosscutting a central technique of narrative cinema. Using editing to switch our attention from one story line to another is a fundamental resource of moviemaking everywhere. Crosscutting is most apparent in those passages of quickly alternating shots […]

Film and sound editor Dody Dorn to headline NAB Su

April 13, 2017, 05:08 AM

http://postperspective.com/film-sound-editor-dody-...

The 16th Annual Las Vegas SuperMeet is taking place on April 25 at the Rio Hotel in Las Vegas during the NAB Show. Oscar-nominated film and sound editor Dody Dorn will be the featured presenter. SuperMeets are networking gatherings of Final Cut Pro, Adobe, Avid and Resolve editors, Continue reading → April 12, 2017 The post Film and sound editor Dody Dorn to headline NAB SuperMeet appeared first on Randi Altman's postPerspective.

Yoko Lytle joins VFX/finishing studio Jogger

April 12, 2017, 04:39 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK — Cut+Run’s sister company Jogger recently welcomed aboard Yoko Lytle as senior producer. She brings a wealth of experience to her role at the visual effects and finishing company, which is located within Cut+Run’s New York studio. 

Review: Blackmagic’s DaVinci Resolve Mini Panel

April 12, 2017, 04:39 PM

http://postperspective.com/review-blackmagics-davi...

By Brady Betzel If you’ve never used a color correction panel like the Tangent Elements, Tangent Ripple, Avid Artist Color, or been fortunate enough to touch the super high-end FilmLight Blackboard 2, Blackmagic Advanced Panel or the Nucoda Precision Control Panel, then you don’t know what you are missing. Continue reading → April 12, 2017 The post Review: Blackmagic’s DaVinci Resolve Mini Panel appeared first on Randi Altman's postPerspective.

Q&A: Imagineer Systems’ Ross Shain on Mocha VR a

April 12, 2017, 04:39 PM

http://www.studiodaily.com/2017/04/qa-imagineer-sy...

The Oscar-winning planar-tracking technology developed by Imagineer Systems has made Mocha Pro a workhorse for tracking and compositing tasks, including image-stabilization and object removal. The software’s utility has only grown along with the capabilities of standard desktop computing hardware. When stereo 3D conversions became a new, labor-intensive factor in blockbuster film releases, Mocha was optimized […] The post Q&A: Imagineer Systems’ Ross Shain on Mocha VR and the Evolutio...

Full Throttle (1995)

April 12, 2017, 04:38 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“When I think of Maureen, I think of two things: asphalt... and trouble.” — Ben Throttle ...

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