It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 31, 2019, 06:24 AM
https://www.studiodaily.com/2019/07/computer-graph...
The computer graphics market is in for a slow but steady rate of growth for the foreseeable future, according to a new report from analyst firm Jon Peddie Research (JPR). The post Computer Graphics Market Will Reach $150 Billion by 2022, Per Jon Peddie Research appeared first on Studio Daily.
July 30, 2019, 03:49 PM
https://postperspective.com/maxon-intros-cinema-4d...
By Brady Betzel At SIGGRAPH 2019, Maxon introduced the next release of its graphics software, Cinema 4D R21. Maxon also announced a subscription-based pricing structure as well as a very welcomed consolidation of its Cinema 4D versions into a single version, aptly titled Cinema 4D. That’s right, no more Studio, Broadcast or BodyPaint. Continue reading → July 30, 2019 The post Maxon intros Cinema 4D R21, consolidates versions into one offering appeared first on postPerspective.
July 30, 2019, 03:49 PM
https://www.provideocoalition.com/bifrost-for-maya...
Showcased at SIGGRAPH 2019, Bifrost for Maya makes it possible for 3D artists and technical directors to create serious effects in Maya quickly and easily using a new visual programming environment. Announced by Autodesk at the start of SIGGRAPH 2019, Bifrost for Maya will be available July 31 with Maya 2019.2. Bifrost makes it possible... The post Bifrost for Maya: creating VFX quickly appeared first on ProVideo Coalition.
July 30, 2019, 09:43 AM
https://www.studiodaily.com/2019/07/v-ray-houdini-...
After more than a year of beta-testing, Chaos Group has released V-Ray for Houdini. Ingenuity Studios has been using an alpha build since 2017 to put the renderer through its paces, and V-Ray for Houdini is now the company’s primary tool for scene assembly and lighting, according to Ingenuity owner and VFX supervisor Grant Miller. […] The post V-Ray for Houdini Emerges from Beta appeared first on Studio Daily.
July 30, 2019, 07:37 AM
https://beforesandafters.com/2019/07/30/the-latest...
I’m excited to have ftrack as the sponsor of #realtimewrapup week here at befores & afters; this weekly series is a special dive into various real-time and virtual production happenings direct from SIGGRAPH 2019 in LA.
July 30, 2019, 07:37 AM
https://www.artofvfx.com/stranger-things-season-3-...
German studio RISE presents their work on the third season of STRANGER THINGS...
July 30, 2019, 07:37 AM
https://beforesandafters.com/2019/07/30/the-latest...
I’m excited to have ftrack as the sponsor of #realtimewrapup week here at befores & afters; this weekly series is a special dive into various real-time and virtual production happenings direct from SIGGRAPH 2019 in LA.
July 30, 2019, 07:37 AM
https://beforesandafters.com/2019/07/30/how-the-li...
Jon Favreau’s re-imagining of The Lion King took on a whole new filmmaking paradigm. The final result was a huge visual effects and animation effort, and it also involved a heavily reliance on virtual production on a virtual stage with real-time and VR tools, all aimed at bringing to the film a ‘live-action’ look and feel, as if a camera crew had gone out to shoot the movie in Africa.
July 30, 2019, 07:37 AM
http://videoandfilmmaker.com/wp/index.php/news/red...
Red Giant today announced VFX Suite, an all-new suite of keying, tracking, cleanup and visual effects compositing tools, all right inside Adobe After Effects, part of Adobe Creative Cloud. Comprised of nine tools in total, Red Giant VFX Suite offers a powerful toolkit for realistic VFX composites, automatic chroma-keying, fast and accurate planar tracking, object replacement/removal, photo-realistic glow effects, beautiful prismatic displacement effects and camera-inspired lens flares for visual...
July 30, 2019, 07:36 AM
https://www.studiodaily.com/2019/07/optitrack-demo...
OptiTrack debuted new software for its optical motion-capture systems that it said delivers big improvements to real-time movement tracking. The new skeletal solver is being demonstrated at OptiTrack’s booth (#1341) on the SIGGRAPH show floor. The company said it can accurately track and reflect human movements in real time — less than 10 ms of […] The post OptiTrack Demos Improved Motion-Capture Software at SIGGRAPH appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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