To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color correction explained

October 29, 2014, 09:35 AM

http://www.postmagazine.com/Press-Center/Daily-New...

BURBANK, CA — This short video by AlphaDogs, here, details the value of color correction and how it can be applied to correct a number of issues that affect footage.

LG Digital Cinema 4K monitor available this week

October 29, 2014, 04:48 AM

http://www.slashgear.com/lg-digital-cinema-4k-moni...

4K isn't coming just to TVs in your living room, it will also be coming to computer monitors as well. After all, in order to have 4K content to show on those UHD TV sets, you need to have those produced on computers and machines first. But in order to work on 4K image or video content as faithfully as you can, without scaling or distortion, you will, of course, need a 4K monitor yourself. Enter the 31MU97, LG's latest foray into the 4K display market, but this time targeted squarely at content c...

How to Expose and Grade S-Log2 for the Sony A7s

October 29, 2014, 04:47 AM

http://wolfcrow.com/blog/how-to-expose-and-grade-s...

This guide covers the S-Log2 workflow as it pertains to the Sony A7s, shot in S-Gamut color mode. We will learn...

Grading breakdown for a L'Oréal Garnier commercia

October 28, 2014, 04:44 AM

https://www.aotg.com/grading-breakdown-for-a-loreal-garnier-commercia/

In this breakdown I show some of my techniques that I use for beauty commercials. I recorded the monitor output and edited the 30 min realtime-grading down to this…

Blackmagic Design Helps Capture Foo Fighters’ So

October 27, 2014, 09:37 AM

http://www.btlnews.com/crafts/post-production/blac...

Director Dave Grohl recently relied on Blackmagic Design Pocket Cinema Cameras to shoot behind-the-scenes footage and B roll for the Foo Fighters’ eight part Sonic Highways series for HBO. The company’s HyperDeck Studio Pro SSD recorders and Teranex 2D Processor were also used as the backbone for the mobile production unit.

ICA 101: An Intro to Colorist Strategies with Reso

October 27, 2014, 04:42 AM

https://events.creativecow.net/event/3737/ica-101-...

A great introduction to Resolve Mac V11 software. This class is ideal for first time users, you do not need to be a Colorist or have had previous grading or Resolve experience. The class mixes the operational side of Resolve with some practical real world training on workflows, basic color theory, grading approaches and techniques.

ICA 201: Advanced Colorist Strageties with DaVinci

October 27, 2014, 04:39 AM

https://events.creativecow.net/event/3740/ica-201-...

This new class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning.

Basic to Advanced: Resolve’s ‘Deliver’ Windo

October 25, 2014, 07:56 PM

http://www.premiumbeat.com/blog/basic-to-advanced-...

Better control your project's workflow and delivery by tweaking the options available in Resolve's 'Deliver' window. The post Basic to Advanced: Resolve’s ‘Deliver’ Window Demystified appeared first on Premiumbeat.com.

*El color que cayó del cielo*, por Alejandro Carr

October 25, 2014, 07:56 PM

http://saeditores.org/Novedades/El-color-que-cayo-...

Una síntesis personal de la edición por sus artífices.

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