It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 14, 2017, 09:28 AM
http://lesterbanks.com/2017/03/tips-animate-snappy...
Animating a run cycle from poses? Are you in 2D or 3D? Technically, it doesn’t really matter. Getting “snap” out of animation can be tricky. Often new animation from inexperienced users tends to look like The Post Tips for How To Animate a Snappy Run Cycle originally appeared and published on %%BLOGLINK%,by lesterbanks
March 14, 2017, 09:28 AM
http://blogs.adobe.com/conversations/2017/03/celeb...
The early 1990s saw the start of a revolution in digital technology that would transform the world of film, television, and video production – and continues to do so today. Adobe Premiere, released in 1991, was part of that revolution. Instead of a traditional video editing system comprised of expensive hardware, Premiere was software-only and could run on an affordable computer. With Adobe Premiere the user could place clips on the timeline, add effects, transitions, and a soundtrack. It...
March 14, 2017, 09:28 AM
http://blogs.adobe.com/creative/premiere-pro-fete-...
Le début des années 1990 a marqué le départ d’une révolution digitale qui allait transformer l’univers de la production cinématographique, télévisuelle et vidéo. Une transformation qui se poursuit encore aujourd’hui. Sorti en 1991, Adobe Premiere a participé à cette révolution. À la différence des systèmes de montage vidéo classiques composés d’équipements matériels onéreux, Premiere était un logiciel unique pouvant fonctionner sur un ordinateur à un coût ab...
March 14, 2017, 09:27 AM
http://postperspective.com/flavor-detroit-welcomes...
Twenty-year industry veteran Scott Stephens has joined Flavor Detroit as senior VFX artist/designer. Previously the lead designer at Postique, Stephens has been a key part of the post boutique Section 8 as co-founder and lead designer since its launch in 2001. Known for his work with top brands and directors on major commercial campaigns for Blue Cross Blue Shield (BCBS), Continue reading → March 14, 2017 The post Flavor Detroit welcomes VFX artist/designer Scott Stephens appeared firs...
March 14, 2017, 09:27 AM
http://www.avidblogs.com/cutting-story-refugee-ano...
The article Cutting the Story of a Refugee: “In Another Life” by Andrew McKee appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
March 14, 2017, 09:27 AM
http://lesterbanks.com/2017/03/working-substance-a...
Maxon’s Jonas Pilz offers another Cinema 4D Quick Tip, this time showing how you can work with Substance Archives in C4D. Since the release of Cinema 4D R18, you can now import Substance Archives natively The Post Working With Substance Archives in Cinema 4D originally appeared and published on %%BLOGLINK%,by lesterbanks
March 14, 2017, 09:27 AM
https://www.productionhub.com/blog/post/want-a-gre...
If I had to pick one constant among independent film festival submissions it would be unintelligible dialogue. The cause of desperation of every director; the bane of every mixing engineer’s existence; the source of suffering of your friends and family, forced to go through a whole movie they don’t understand because the actors’ words simply can’t be heard. This and many other nuances of your film’s sound are the victims of a few often overlooked details, which in turn result in th...
March 14, 2017, 09:27 AM
https://digitalfilms.wordpress.com/2017/03/14/a-qu...
I don’t normally plug a manufacturer’s promotional marketing events, but this one seems especially noteworthy. At the end of last year, Adobe Premiere Pro hit its 25th anniversary. It launched in November 1991 as simply Premiere and has gone through numerous iterations – from Premiere to Premiere Pro, CS and now CC. Premiere Pro in […]
March 14, 2017, 09:26 AM
https://www.motionelements.com/blog/announcements/...
We are happy to announce that MotionElements Motion Templates now comes with”Editable in Final Cut Pro X” label.
March 14, 2017, 09:26 AM
https://www.aotg.com/25-years-of-adobe-premiere-pro/
For Adobe Premiere Pro's 25th Anniversary, take a look back at where Adobe Premiere Pro began, and how far it's come.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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