To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

“Please Tell Me I’m Adopted!” Uses DaVinci R

February 23, 2017, 01:26 PM

https://www.aotg.com/please-tell-me-im-adopted-uses-davinci-r/

Blackmagic Design today announced that DaVinci Resolve Studio was used to edit, grade and finish “Please Tell Me I’m Adopted!,” an original shortform comedy series from Wraptastic Productions premiering March 6, 2017 exclusively on Amazon. DaVinci Resolve Studio was used by Chris Sobchack, executive producer, to handle the entire post production process.

#editing#grading#post production#finishing
Colortime turns to Dalet Workflow Orchestration

February 23, 2017, 11:14 AM

https://www.aotg.com/colortime-turns-to-dalet-workflow-orchestration/

Hollywood’s Colortime Facility Industrializes Client Content Services with Dalet Workflow Orchestration and Media Asset Management for Post-Production Dalet Galaxy platform improves client content management, versioning and file delivery

#workflow#adobe#premiere#post production#mam#dalet#colortime
Pliant Technologies SmartBoom LITE at NAB 2017

February 23, 2017, 10:56 AM

https://www.aotg.com/pliant-technologies-smartboom-lite-at-nab-2017/

Pliant Technologies, the professional intercom division of CoachComm, known for the revolutionary Tempest system and behind the innovative CrewCom professional wireless intercom system, is displaying its compact SmartBoom LITE headset at NAB 2017 (Booth C12721).

#pliant#pliant technologies#nab2017
Video Editing Tips: Consider Slides, Pushes, and S

February 23, 2017, 06:14 AM

https://www.premiumbeat.com/blog/slides-pushes-spl...

Growing tired of the same old default cross dissolve in Premiere Pro? Consider spicing up your splices with pushes, slides, and splits.

NOTICIA: El corto Timecode candidato al Oscar edit

February 23, 2017, 06:14 AM

http://www.finalcutpro.es/2017/02/noticia-corto-ti...

El cortometraje español Timecode, de Juanjo Giménez, es uno de los cortos favoritos este año al premio Oscar de su categoría. La gala de la edición número 89 de los Oscar tendrá lugar este domingo, 26 de febrero, en Los Angeles, California. Tal como explica su creador, Timecode ha sido su primer proyecto post-producido con [...] La entrada NOTICIA: El corto Timecode candidato al Oscar editado con FCP X aparece primero en finalcutpro.es.

The Importance of Transitions in Reckless

February 23, 2017, 06:13 AM

https://www.aotg.com/the-importance-of-transitions-in-reckless/

From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive.

Digital Production Buzz- February 23, 2017

February 23, 2017, 06:13 AM

http://www.digitalproductionbuzz.com/2017/02/digit...

Join host Larry Jordan as he talks with Dave Colantuoni, Michael Kammes, Oliver Peters, Sam Mestman, Alec Schreck, and James DeRuvo. Configure an Avid Media Composer System Workflows for a One-Man Band The Basics of Creating a Workflow Oliver Peters: Create a Personal Workflow Designing Custom Workflows The Weekly DoddleNEWS Update The post Digital Production Buzz- February 23, 2017 appeared first on Digital Production BuZZ.

Examining Industry Insights and Technology Trends

February 23, 2017, 06:13 AM

http://www.avidblogs.com/avid-bve-2017/

The article Examining Industry Insights and Technology Trends at BVE 2017 by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

3 Reasons You Should Be Using Workflow Designer in

February 23, 2017, 06:13 AM

http://blogs.adobe.com/documentcloud/3-reasons-you...

Every company has unique business needs and processes. Contracts and agreements in different functional areas, such as sales or HR, often require different signature and approval steps. Adobe Sign Workflow Designer empowers you to easily build signature and approval processes that are tailor-made to your business. If you don’t already rely on Workflow Designer in your organization, we urge you to explore this self-service workflow customization tool now. Workflow Designer is available for...

Tonebenders 054 – Sound Design For Radio & Podca

February 23, 2017, 06:12 AM

http://designingsound.org/2017/02/tonebenders-054-...

Matching our current monthly theme our friends from the tonebenders podcast just released a new episode about the ins & outs of  sound design in radio & podcasting. Dylan Keefe, (Director of Sound Design for RadioLab), Jeff Emtman (Co-Producer of KCRW’s Here Be Monsters), Ann Jones (host and producer of Off Track for Australian Broadcasting Corporation), […]

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