To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Watch a Free 45 Minute Masterclass on Collaborativ

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https://www.fcp.co/final-cut-pro/tutorials/2313-wa...

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The Thunderbay Flex 8 - 24TB RAID Storage with Fl

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https://www.fcp.co/hardware-and-software/2311-the-...

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https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...

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http://www.digitalrebellion.com/blog/posts/kollabo...

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https://postperspective.com/walter-murch-coup-53-d...

By Barry Goch Walter Murch, ACE, is a giant of the film industry. Among his audio and editing credits are such films as The Godfather Trilogy, Apocalypse Now, Ghost, The English Patient and The Talented Mr. Ripley. In addition to his sound and editing credits, he is also a writer, Continue reading → September 29, 2020 The post Walter Murch: Coup 53 Doc and the Art of Editing appeared first on postPerspective.

Switching From Apple Mac Pro 2009 To Mac Mini 2020

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https://www.pro-tools-expert.com/home-page/2020/9/...

Korey Pereira whose Dolby Atmos upgrade we featured had to replace his Pro Tools computer in a hurry when his cheese-grater failed unexpectedly. This is the story of what he chose to replace it with so that he could continue working in audio post-production and Dolby Atmos.

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https://www.premiumbeat.com/blog/give-footage-cine...

Final Cut Pro X has a robust set of color tools that have vastly improved over the years. Here's how to use them to give your video ...

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http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — Cut+Run (https://cutandrun.com) has added editor Jen Dean to its family of talent. A native Texan, she went from studying experimental cinema with Stan Brakhage and Phil Solomon to assisting Hank Corwin for many years at Lost Planet. Both experiences proved invaluable, as she became an editor in her own right, developing a personal style that embraces her interests in fashion, documentary and the blending of multimedia.

Editors Have Proof of Concept for Flexible Work En

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http://www.avidblogs.com/editors-have-proof-of-con...

The post Editors Have Proof of Concept for Flexible Work Environments. Now What? appeared first on Avid Blogs.

After Effects Classic Course: Additional 3D Featur

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https://www.provideocoalition.com/after-effects-cl...

In addition to stereoscopic “3D” viewing which we discussed in our last post, in that same 2011 release Adobe added a number of traditional 3D features to After Effects, many focused on providing a better sense of depth.  In 3D, it’s easy for everything to be equally sharp and well-lit regardless of distance from the [...]Read More...

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