To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Breaking Down the Keanu Kuleshov Effect

February 10, 2017, 07:20 AM

https://filmschoolrejects.com/breaking-down-the-ke...

ave you ever acted? Memorized a script, stood on a stage or in front of a camera and did your best to disappear into someone else? As a former choir nerd in high school and college, I often found myself being asked to audition for the latest musical or student-led Broadway workshop. It was almost always a frustrating experience. Despite being able to picture the nuances of the performance in my head, when it came time to translate those to my own physicality, everything came out sluggish and ina...

Making of Hybrid Wars Key Art

February 10, 2017, 07:20 AM

http://www.cgmeetup.net/home/making-of-hybrid-wars...

Marketing Creative Services presents Hybrid Wars, a new action game in high-tech industrial near-future setting.

Color and Texture Customization Using Vray

February 10, 2017, 07:20 AM

http://www.cgmeetup.net/home/color-and-texture-cus...

Now you can edit the VRscans materials in a way to change the material color or place a custom texture.

The Foundry rebrands itself, drops the 'The'

February 10, 2017, 07:20 AM

http://www.cgchannel.com/2017/02/the-foundry-rebra...

The Foundry is rebranding itself as plain old ‘Foundry’, dropping the ‘The’ from its logo, and launching a new website under its new name at www.foundry.com.

Boris FX lance Mocha VR

February 10, 2017, 07:19 AM

http://www.3dvf.com/actualite-19259-boris-fx-lance...

The editor Boris FX unveils Mocha VR , a set of tools specifically tailored to immersive content. Mocha VR offers, for example, 360 ° planar tracking, masking tools, automatic nadir correction, a horizon stabilization system, etc.

Chaos Group ships V-Ray 3.5 for 3ds Max

February 10, 2017, 07:19 AM

http://www.cgchannel.com/2017/02/chaos-group-ships...

Chaos Group has released V-Ray 3.5 for 3ds Max, a sizeable update to its production renderer, adding a new adaptive lighting system, resumable rendering, and support for materials in Nvidia’s MDL format.

How to Rename Tracks in Avid Media Composer

February 9, 2017, 05:03 PM

https://www.aotg.com/how-to-rename-tracks-in-avid-media-composer/

A quick guide to renaming tracks in Avid Media Composer 8.

NAB Show LIVE 2017 Promo

February 9, 2017, 05:03 PM

http://www.broadcastbeat.com/nab-show-live-2017-pr...

Broadcast Beat is the Official Broadcaster of the 2017 NAB Show. In 2016, we received 1.3 million online viewers! Will we see you in Las Vegas this April!?

VFX Supervisor Stéphane Ceretti on Doctor Strange

February 9, 2017, 05:03 PM

http://www.studiodaily.com/2017/02/vfx-supervisor-...

With Doctor Strange, Stéphane Ceretti has received his second Oscar, BAFTA, and VES nominations; his first nominations were for leading the effects on an earlier Marvel film, Guardians of the Galaxy. Ceretti began his career as an animator and CG supervisor at … more » The post VFX Supervisor Stéphane Ceretti on Doctor Strange appeared first on Studio Daily.

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