To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Hybrid Library Wins ANR Sonic Joy Award 2016

January 25, 2017, 10:29 AM

http://www.prosoundeffects.com/blog/hybrid-library...

The Pro Sound Effects Hybrid Library has been presented with a 2016 Sonic Joy Award from AudioNewsRoom in the Best Sound Design Tools category! This category of ANR’s Sonic Joy Award features audio tools relied on by sound designers, editors and engineers across the industry to create the sound behind films, TV shows, ... The post Hybrid Library Wins ANR Sonic Joy Award 2016 appeared first on Pro Sound Effects Library.

XXX - THE RETURN OF XANDER CAGE: Bjoern Mayer

January 25, 2017, 10:29 AM

http://www.artofvfx.com/xxx-the-return-of-xander-c...

In 2013, Bjoern Mayer explained to us the work of Pixomondo on OBLIVION. He then took care of the effects of projects such as THE HUNGER GAMES: MOCKINGJAY PART 1, MARCO POLO, TRUE DETECTIVE and THE SHANNARA CHRONICLES.

Film Editor John Gilroy, ACE on Using Sparse Cover

January 25, 2017, 07:21 AM

https://www.aotg.com/film-editor-john-gilroy-ace-on-using-sparse-cover/

John Gilroy, ACE, began his career working with Francis Ford Coppola's longtime editor Barry Malkin on "Peggy Sue Got Married" and MEWShop Artist in Residence Jeffrey Wolf, ACE on "Beautiful Girls" and "The Ref." His credits include the Academy Award winning "Michael Clayton"...

Digital Production Buzz- January 26, 2017

January 25, 2017, 07:21 AM

http://www.digitalproductionbuzz.com/2017/01/digit...

Join host Larry Jordan as he talks with Meline Tovmasian, Patrick Vest, Emma Dewing, Scott Page, and James DeRuvo. Choreographing Fight Scenes Highlights from NAMM 2017 Learning the Basics of Movement Teaching Dance and Choreography The Weekly DoddleNEWS Update View Show Transcript Listen to the Full Episode Check back after the show for the full audio! … The post Digital Production Buzz- January 26, 2017 appeared first on Digital Production BuZZ.

Podcast: A typical working day at GTV9 1957

January 25, 2017, 07:21 AM

https://terencegallacher.wordpress.com/2017/01/25/...

In the second podcast of the series, Terry describes a typical day for him, editing the early evening and late news for GTV9, starting at 9am and ending at 11pm. The first newsreader Terry worked with was Tom Miller, and later Eric Pearce,in the early days the cameramen were Peter Hansford and Bill Beams and […]

Advanced Colorist Strategies with Resolve 12.5 wit

January 25, 2017, 07:21 AM

http://manhattaneditworkshop.blogspot.com/2017/01/...

Our two-day ICA 201 class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning.Find out more about this course here: http://mewshop.com/courses/course_detail/ICA201/

Using VR design strategies in non-VR projects

January 25, 2017, 07:21 AM

http://designingsound.org/2017/01/using-vr-design-...

  Finally! With the advent of somewhat affordable VR systems and the first titles making their way into the public’s hand, we are hearing something from the general populace and other non-audio developers that we sound professionals have always known: Sound matters! Since VR is an enclosed experience, in that the user is entirely enveloped […]

Video - Film Editor John Gilroy, ACE on Using Spar

January 25, 2017, 07:20 AM

http://manhattaneditworkshop.blogspot.com/2017/01/...

Artist in Residence John Gilroy, ACE "Narc." For more information on Manhattan Edit Workshop's 6 Week Editing Intensive and Artist In Residence program please visit: www.mewshop.com/six_week_workshop/John Gilroy, ACE, began his career working with Francis Ford Coppola's longtime editor Barry Malkin on "Peggy Sue Got Married" and MEWShop Artist in Residence Jeffrey Wolf, ACE on "Beautiful Girls" and "The Ref." His credits include the Academy Award winning "Michael Clayton",...

How to Make A 2D Animation Or Cartoon in Maya

January 25, 2017, 07:20 AM

http://www.cgmeetup.net/home/how-to-make-a-2d-anim...

In this Maya 2017 tutorial I show you how you can use Maya to create a 2d animation or cartoon. You will need Adobe Photoshop or other image editing software and Autodesk Maya.

The View from La La Land

January 24, 2017, 08:35 PM

http://www.btlnews.com/awards/view-la-la-land/

So the Oscar nomination process is on the one hand modernizing: the Academy realized they no longer have to gather everyone “live” at 5 in the morning, feeding all those press minions breakfast before they head back to their newspaper offices with printed handouts, to type up stories for afternoon editions. Instead, they could stream […] The post The View from La La Land appeared first on Below the Line.

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