It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 4, 2014, 09:42 AM
http://www.tomparish.com/2014/09/color-interview-a...
I’m beginning to understand more deeply that COLOR is more than a well-defined, well-behaved set of terms we all share regarding the physical ordering of colors and our assignment of the use of colors in society and culture.
September 4, 2014, 09:40 AM
http://www.sgo.es/2014/09/sgo-france-opens-its-doo...
Mistika’s Brand Grows in Strength in New French Venture SGO expands its European horizons further with the launch of a new office in France whichRead more...
September 3, 2014, 01:26 PM
http://www.premiumbeat.com/blog/does-white-balanci...
We take a look at the importance, or should we say unimportance of white-balancing in a digital world.
September 3, 2014, 01:26 PM
http://lesterbanks.com/2014/09/creating-detailed-c...
create the "Lee Griggs" style highly detailed scenes using C4D and X-Particles
September 3, 2014, 09:33 AM
http://lesterbanks.com/2014/09/advanced-color-corr...
find out how to easily adjust luma values to match a plate and correct super brights in a shot or composite
September 2, 2014, 04:43 PM
http://provideocoalition.com/atepper/story/blackma...
In June 2014, I published an article stating that Blackmagic had finally removed the Band-Aid for original DreamColor monitor users, based upon information published in their own ReadMe and a direct statement from Blackmagic’s US president, which I quoted. In mid August, I went to Guatemala to configure a system, and discovered that RGB over HDMI wasn’t really available. After a few weeks of email exchanges, Blackmagic has finally clarified their position via the public relations department.
September 2, 2014, 12:36 PM
http://filmmakermagazine.com/87395-watch-how-color...
Color correction is often the least talked about, most overlooked portion of the post-production process. Alex Bickel has spoken out about how grading can alter the presumed production value of a film, and a recent guest post from Michael Medaglia and Jalal Jemison discussed the importance of communicating your story through the process. This video from the International Colorist Academy offers a nice visual supplement to the aforementioned claims, as it demonstrates the colorist’s ability to ...
September 2, 2014, 09:53 AM
http://news.doddleme.com/equipment/blackmagic-desi...
I take a look at Blackmagic Design’s DaVinci Resolve 11, with part two – a look at media management, preferences, and editing. For part one of my review, click here.
September 1, 2014, 05:11 AM
http://wolfcrow.com/blog/how-to-use-the-dsc-labs-o...
In this article we’ll learn how to use the DSC Labs OneShot, X-Rite ColorChecker (or Macbeth) or the DataColor SpyderCheckr with Davinci Resolve to match color. If you’re new to Resolve, I recommend you read my DaVinci Crash Course for Beginners before proceeding.
August 29, 2014, 04:37 AM
https://www.aotg.com/copying-color-grade-to-multiple-clips/
Excerpt from our RippleTraining.com tutorial "Color Correction in Final Cut Pro X". Mark Spencer shows you how to use custom keyboard shortcuts to speed up t...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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