To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

About that CGI Peter Cushing in Star Wars: Rogue O

January 9, 2017, 10:23 AM

http://www.redsharknews.com/post/item/4261-about-t...

The most recent cinematic foray into the Star Wars universe resurrects Peter Cushing's Tarkin from the original films, but did the computer generated version of the beloved actor span the dreaded Uncanny Valley? By Joe Foster. Star WarsRogue OnePeter CushingCGIVFX

Draw Your Model in Fluid Contour Lines With Houdin

January 9, 2017, 10:23 AM

http://lesterbanks.com/2017/01/draw-model-fluid-co...

Argentinian designer Ezequiel Grand otherwise known as Caskal, walks us through how he created an effect in his last project — Creating Liquid and fluid contour lines overtop of a model in Houdini. The scene The Post Draw Your Model in Fluid Contour Lines With Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks

January 9, 2017, 10:20 AM

https://journaldunemonteuse.wordpress.com/2017/01/...

Monter avec son intuition ? En novembre 2016, Nora Meziani et moi-même avons fait circuler un questionnaire à des monteuses et monteurs de LMA – Les Monteurs Associés (et à des fidèles lectrices-lecteurs du blog), au sujet de l’intuition dans le processus de … Lire la suite →

2017 CAS Awards nominations preview

January 9, 2017, 10:20 AM

http://www.goldderby.com/article/2017/2017-cinema-...

The Cinema Audio Society Awards, which announces its nominees on Tuesday (Jan. 10), has an uneven track record as a preview of the Oscar slate for Best Sound Mixing. Indeed, only about two-thirds of the CSA nominees go on to contend at the Oscars. However, it does do a good job at predicting which film will win the Oscar.

Workflow Must Evolve to Support 4K/UHD

January 9, 2017, 10:20 AM

http://www.creativeplanetnetwork.com/news/post/wor...

Think you know all there is to know about 4K? Think again, says a new survey on this industry-changing format.

Life, Animated – Roger Ross Williams

January 9, 2017, 06:43 AM

http://www.btlnews.com/awards/life-animated-roger-...

This unbelievable, yet true, life story all began when a three-year-old disappeared. Not the horrible found in the woods type of disappeared, but suddenly he was lost to his family, stuck within the confines of his own head. It seemed as if he was just inextricably “gone.” When Pulitzer Prize winning writer, Ron Suskind and […] The post Life, Animated – Roger Ross Williams appeared first on Below the Line.

Adobe Creative Cause: Meet the winner

January 9, 2017, 06:43 AM

http://blogs.adobe.com/creative/adobe-creative-cau...

To Support The Prince’s Trust, Adobe launched the Creative Cause competition. Here, we catch up with the winner to find out more about his work. Here at Adobe, we don’t need an excuse to get creative, but for the last two months we’ve had an extra incentive. As part of our work with the Prince’s Trust, we founded the Adobe Creative Cause competition, which encouraged people across the UK to get artistic and share their masterpieces inspired by the charity’s work on social media. ...

Off The Grid: A Modern FCPX-RED-Resolve Narrative

January 9, 2017, 06:43 AM

http://www.fcp.co/final-cut-pro/articles/1916-off-...

Patrick Southern and Sam Mestman take us on a detailed walk-through of the workflow involved in the post production of a feature. We start with part one, on set where the capture of logging information is essential to cut time and costs in post production. With the first part containing over 4000 words of wisdom, this series will be the 'go to' post production reference for future filmmakers.

La La Land

January 9, 2017, 06:43 AM

https://digitalfilms.wordpress.com/2017/01/08/la-l...

La La Land is a common euphemism for Los Angeles and Hollywood, but it’s also writer/director Damien Chazelle’s newest film. Chazelle originally shopped La La Land around without much success and so moved on to another film project, Whiplash. Five Oscar nominations with three wins went a long way to break the ice and secure […]

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