It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 13, 2016, 01:18 PM
http://lesterbanks.com/2016/12/rendering-compositi...
If you are still a little unclear as to how you can render various passes with Solid Angle Arnold and composite them into a single shot, you are in luck. Lighting TD Arvid Schneider posts a look into creating and compositing Arnold AOVs. Arvid walks through how to render the most used Arnold AOVs using The Post Rendering and Compositing With Arnold AOVs originally appeared and published on %%BLOGLINK%,by lesterbanks
December 13, 2016, 01:18 PM
http://postperspective.com/audio-vr-early-exciting...
By Beth Marchant The first things most people think of when starting out in VR is which 360-degree camera rig they need and what software is best for stitching. But virtual reality is not just a Gordian knot for production and post. Audio is as important — and complex — a component as the rest. Continue reading → December 13, 2016 The post VR Audio: Early but exciting times for virtual, spacial soundscapes appeared first on Randi Altman's postPerspective.
December 13, 2016, 01:17 PM
https://www.aotg.com/the-angus-wall-feature-in-premiere-pro/
Angus Wall is an Oscar winning director and he helped to shape Premiere Pro into a powerful feature film editing program. This tutorial shows one of the many features that he requested.
December 13, 2016, 01:17 PM
http://nofilmschool.com/2016/12/how-create-star-wa...
No motion graphic sequences are as iconic as the holograms from the Star Wars saga. From "Help me, Obi-Wan Kenobi" to "It’s true—all of it," Star Wars and ILM have single-handedly introduced the hologram into the cinematic language.
December 13, 2016, 10:30 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Cinesite revisited to the world of Harry Potter, delivering just under 100 VFX shots for the new film Fantastic Beasts and Where to Find Them. The studio’s work included creating environments of prohibition-era Manhattan, set extensions and the film’s magical dinner.
December 13, 2016, 10:30 AM
http://www.postmagazine.com/Press-Center/Daily-New...
STUDIO CITY, CA — The Motion Picture Sound Editors (MPSE) will honor supervising sound editor/sound designer Harry Cohen, MPSE, with its 2017 MPSE Career Achievement Award. An 18-time MPSE Golden Reel Award nominee, Cohen has contributed to more than 150 movies and television shows.
December 13, 2016, 10:30 AM
http://designingsound.org/2016/12/win-the-amazing-...
Ever wondered how would your voice sound if mixed with an electric toothbrush? Or how your favorite instrument would sound if merged with that audio file lost in the depth of your library for the past years? Well, wait no more, Zynaptiq got you covered with their MORPH plugin! Offering the amazing ability to merge […]
December 13, 2016, 10:30 AM
http://www.provideocoalition.com/soundly-new-appro...
Soundly, available for Mac and PC, is free to download and includes access to 300 sounds. It’s just the tip of an iceberg of sound waiting to be tapped, for a price. Soundly, a startup audio technology company, recently released Soundly, a cloud-based sound effects library and workflow tool. The program represents, according to its The post Soundly, a new approach to sound effects appeared first on ProVideo Coalition.
December 13, 2016, 10:30 AM
http://www.redsharknews.com/ip-video/item/4218-tak...
RedShark Review: Matrox’ Monarch LCS (Lecture Capture System) lets you easily define profiles for live streamed and recorded lectures by mixing camera and presentation material from SDI and HDMI sources. As such, Guest Author Keenan Gorrie reckons it’s a must-have. MatroxMatrox Monarch LCSLecture Capture SystemStreaming
December 13, 2016, 10:29 AM
http://www.provideocoalition.com/art-of-the-cut-to...
Tom Cross, ACE won the 2015 Oscar for Best Editing for the film “Whiplash,” which was hailed as an editing masterpiece. He also co-edited “Joy” (for which I interviewed him previously). His next collaboration, with director Damien Chazelle, is “La La Land” which recently won the Critics Choice Award for Best Editing. HULLFISH: Tom, so The post ART OF THE CUT with “La La Land” editor Tom Cross appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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