To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editor Keith Reamer on Cutting

November 21, 2016, 10:50 AM

https://www.aotg.com/editor-keith-reamer-on-cutting/

A veteran of independent film, Keith Reamer has edited such films as "The Ballad of Little Jo," starring Ian McKellan, "I Shot Andy Warhol," starring Lili Taylor, and Three Seasons, winner of Grand Jury Prize at the 1999 Sundance Film Festival. Keith also cut "Stephanie Daley," which received the Waldo Salt Award at the 2006...

Tour the Media Import Window in FCPX (10.3)

November 21, 2016, 10:50 AM

https://www.aotg.com/tour-the-media-import-window-in-fcpx-10-3/

http://www.larryjordan.com - Have you been intimidated by the new look of Final Cut Pro X, but heard good things about it? Or just want to figure out if all the bad things you’ve heard are true or competitive hype? If so, our brand-new "Get Started with Final Cut Pro X" webinar, can help!

Animating a Tail? Create Easy Follow Through by Of

November 21, 2016, 10:50 AM

http://lesterbanks.com/2016/11/animating-tail-offs...

Follow through and overlapping animation might seem tedious to some. It can be tricky to get the timing correct on objects like a flag, or a character’s tail. I you are animating a tail, there is a little trick that you can use that can make things much easier. Just offset curves in time. Paul The Post Animating a Tail? Create Easy Follow Through by Offset Curves originally appeared and published on %%BLOGLINK%,by lesterbanks

RESOLVE EDITING 101 08. Properties & Generators

November 21, 2016, 10:50 AM

http://www.redsharknews.com/tutorials/item/3958-re...

In the eighth episode of our exclusive 10-part tutorial series on how to edit video with Resolve, Darren Mostyn from Online Creative looks at Properties & Generators: how to add graphics, use the Inspector, all about resizing, keyframing, adjusting the filters and more. It starts with text and titling. TutorialsNon Linear EditingResolve

Adobe Premiere Pro CC 2017 Has Arrived with New Fe

November 21, 2016, 10:49 AM

http://www.videoguys.com/blog/adobe-premiere-pro-c...

Adobe Premiere Pro CC 2017 is the latest and new version of Premiere. Olaf von Voss from Cinema5D reports on the new version here! Adobe Premiere Pro CC 2017 Has Arrived with New Features Adobe has just released the latest versions of some of their major Creative Cloud apps including Premiere Pro CC 2017. In Read More The post Adobe Premiere Pro CC 2017 Has Arrived with New Features appeared first on Videoguys Blog.

Modeling a Tire in Maya Using Tiling Patterns

November 21, 2016, 10:49 AM

http://lesterbanks.com/2016/11/modeling-tire-maya-...

You might be thinking, “Man, there are quite a few tire modeling tutorials out there!”. You are right. Do we really need another? If it’s a tire modeling demonstration from modeling whiz Alex Cheparev, then yes we do. Think of this one as more of a master class in creating repeatable and tiling patterns in The Post Modeling a Tire in Maya Using Tiling Patterns originally appeared and published on %%BLOGLINK%,by lesterbanks

A Week Editing with the New MacBook Pros and Final

November 21, 2016, 10:49 AM

http://www.fcp.co/final-cut-pro/articles/1891-a-we...

We have had a week to put the new MacBook Pros through their paces. What better task than to send the 13” and 15” inch to work straight out of the box on a real broadcast editing job. Were they fast? What about connectivity? How is the Touch bar in actual use? How will the integrated GPU on the 13 inch compare to a discreet GPU on the 15? Let’s find out.

Better Color Grading Workflow on Your Video Edits

November 21, 2016, 10:49 AM

https://fstoppers.com/post-production/tips-better-...

For many filmmakers who are getting into RAW workflows for the first time, or perhaps wanting to up their post-production skill set, color grading can at first appear to be a big, scary monster full of weird tools and a puzzling workflow that makes college physics seem simple. In this Q&A video from Film Riot, Colorist John Carrington answers some frequently asked questions regarding his approach and process to doing color work on video footage.

DOCTOR STRANGE: Tim LeDoux (VFX Supervisor)

November 21, 2016, 10:49 AM

http://www.artofvfx.com/doctor-strange-tim-ledoux-...

With DOCTOR STRANGE, the team of Crafty Apes is back in the Marvel universe after their work on CAPTAIN AMERICA: CIVIL WAR and AVENGERS: AGE OF ULTRON. Crafty Apes was founded in 2011 by Chris LeDoux, Tim LeDoux and Jason Sanford.

Automatically transcribe clips in Final Cut Pro X

November 21, 2016, 05:22 AM

http://www.fcp.co/final-cut-pro/articles/1892-auto...

How many times have you wished that an NLE could automatically transcribe an interview for you? Well, that moment is here with the cloud based SpeedScriber service that works directly with FCPX

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